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Madama Butterfly at the Royal Opera House, Covent Garden

Sam Smith

Set in Japan, Puccini’s Madama Butterfly of 1904 explores the relationship between the American naval officer Pinkerton and the Nagasaki born Cio-Cio-San, whom he both affectionately and patronisingly addresses as Madam Butterfly. She takes their love so seriously that she converts to Christianity, and is consequently ostracised by her family. He, on the other hand, sees their marriage as being akin to his Japanese house, which he has on a 999-year lease that he can cancel at any...


Das Rheingold at the Bayerische Staatsoper Munich

Helmut Pitsch

The new production of Richard Wagner's epic story the Ring was a highly expected opera event in 2012 in Munich, and Andreas Kriegenburg's very lively and colourful creation gathered various reactions, but over all high recognition by the audience. It is his very intimate, human and sensible play between the characters, full of gestures, together with a big crowd of background actors for a kind of human-made scenery, which made this production so special. This year, the rivival of...


Lucio Silla at La Scala

Raffaele Mellace

Lucio Silla comes back to Milan over than 30 years after its only staging at La Scala. The opera was actually composed in Milan, the Italian city with which the teen-aged Mozart (not yet 17) had established the strongest ties, and where he got very close to being employed at Court. Even if the original opera house no longer exists, as it was replaced by La Scala barely five years after Lucio Silla’s première in December 1772, the present production perfectly renders the flavor...


Rise and Fall of the City of Mahagonny at the Royal Opera Hous...

Sam Smith

Kurt Weill’s Rise and Fall of the City of Mahagonny is something of an operatic oddity. It describes the establishing and subsequent implosion of a city that is designed to give people fun because, as its founders assert, there is nothing else in the world to rely on. Weill and librettist Bertolt Brecht were writing predominantly about the world they saw around them in 1930, but their depiction of Mahagonny, and by extension society in general, feel highly relevant today. They...


Tristan and Isolde at Teatro San Carlo di Napoli

Helmut Pitsch

Teatro San Carlo and Napels are linked closely to the opera and its history over centuries. It has been here that this genre has been created and where the tradition and the education has been kept high. Only lately, the theater was effected by an economic crisis and has suffered from political influences.However, this architectural jewel still attracts attention. Maestro Zubin Mehta is appearing for his first time here and conducts his personally beloved opera Tristan and Isolde by...


Madama Butterfly at Bayersiche Staatsoper Munich

Helmut Pitsch

Puccini's opera has always caused mixed feelings to the audience. Once it has been too much of a fairytale besides a real political and social theme, once it has been musically flat. Nevertheless this is a masterpiece of Italian verismo and musically demanding for all the participants, thus to explore once more at the Bavarian State Opera. Based on a very traditional long played direction of Wolf Busse, scene by Otto Stich - this repertoire spectacle was awaited for its cast. After...


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