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Camilla Nylund: “Every opera role is like a journey”
An accomplished Strauss performer, especially in the role of Salome, Finnish soprano Camilla Nylund started to extend her Wagner repertoire with Isolde in June 2022 and Brünnhilde this season in Die Walküre and Siegfried at the Operhnaus Zürich. While at the Verbier Festival to sing Marie in a concert version of Berg’s Wozzeck, and before the last instalment of the Ring cycle in Zurich in November, we met with her to find out more about her career...
Published onthe 28 of July
Benjamin Bernheim and Julie Fuchs as Romeo and Juliet in Zurich, broadcast on Arte TV
Everything comes to those who wait. This is perhaps what Benjamin Bernheim and Julie Fuchs said before taking on the two main roles in Charles Gounod's Roméo et Juliette - to the libretto by Jules Barbier and Michel Carré, who (faithfully) adapted Shakespeare's play. The soprano Julie Fuchs was due to perform her first Juliet in 2021 at the Opéra-Comique before having to abandon it due to contamination with Covid. Benjamin Bernheim should have taken on the...
Published onthe 11 of April
Meeting with Catarina Molder, artistic director of Lisboa Operafest
In addition of her career of opera singer, Catarina Molder is now heading the major (and only) opera festival in Portugal, and we have met her at the occasion of the third edition of Lisboa Operafest which took place in the gardens of National Museum of Ancient Art in Lisbon from 19th of august to 10th of september. And as she has many other activities in the world of opera singing, she tells us about...
Published onthe 17 of September
Bruno de Sá: “Opera business doesn’t reflect the discussions we’re having in our society”
Don’t call him countertenor! Bruno de Sá’s golden male soprano is becoming one of the most sought-after voices not only in the baroque milieu, but also anywhere soprano lines are required. We met him at the Verbier Festival, where he performed Pergolesi’s Stabat Mater with conductor Reinhard Goebel and mezzo-soprano Anna Lucia Richter. He spoke about the challenges of finding his own way through the opera milieu since he discovered his singular tessitura with...
Published onthe 14 of August
Angela Meade: “Now I am able to take on some of the heavier Verdi roles”
Soprano Angela Meade is famous for her incredibly powerful interpretations of Italian opera throughout the world on the most prestigious stages. We met her at the Verbier Festival where she was singing Amelia in Verdi’s Un ballo in maschera… *** Opera Online: Psychologically, Amelia might be one of the most sincere characters in Un ballo in maschera. How do you portray that in your singing? Angela Meade: In terms of technique, it’s not just blasting stuff,...
Published onthe 26 of July
Plácido Domingo wants to create a school and a theatre dedicated to zarzuela
Plácido Domingo, the singer with 150 roles as a tenor and baritone, the conductor and even the theatre director, needs no introduction. It is perhaps less well known that Plácido Domingo has also had a long-standing passion for zarzuela, a lyrical genre halfway between operetta and comic opera, typical of the Spanish repertoire, combining spoken theatre, orchestra and popular songs. To help spread awareness of this lyrical genre, Plácido Domingo has turned it into a...
Published onthe 21 of July
A conversation with Angel Blue for her Paris Opera debut as Marguerite
“That may sound too cheesy, but Paris is everything I expected and more,” acclaimed soprano Angel Blue says with laughter when you ask her about the effect the City of Lights has on her. She is about to make her Opéra national de Paris debut in a blockbuster production of Charles Gounod’s Faust by German director Tobias Kratzer, alongside a five-star cast: Benjamin Bernheim, Christian Van Horn, Florian Sempey and Emily D’Angelo, under the baton of Thomas...
Published onthe 26 of June
Armenian Baritone Gevorg Hakobyan extending his career with his debut in Wiener Staatsoper
While Armenian baritone Gevorg Hakobyan will make his Vienna State Opera debut in December in Tosca, we caught up with him for an interview. We talk about her career, her vision of Scarpia and her plans for the future, but also music and theater – and the growing role of directors. *** After your successful appearance in Termi de Caracala in Rome you are accomplishing your international career with your debut at Wiener Staatsoper in December 2021 as Scarpia in Tosca. How...
Published onthe 29 of November
Interview with Jeanine De Bique for her Alcina role debut at the Opéra national de Paris
Soprano Jeanine De Bique, from Trinidad and Tobago, has built her career on Mozart and Haendel, which has made her one of the reference performers of these composers today. In her recently released first album, Mirrors, she puts into perspective Haendel heroines with another version of who they can be in some other composers’ works of the same period. She was Rodelinda at the Opéra de Lille, Théâtre de Caen and Théâtre des Champs-Élysées...
Published onthe 19 of November
Interview with Matthias Goerne: "Your mother language defines who you are"
One of the best lieder singers in the world, baritone Matthias Goerne came back to the Verbier Festival this year for a Winterreise performance with pianist Nikolai Lugansky and a concert of Schubert lieder with the Verbier Festival Chamber Orchestra. He has performed Shostakovich’s symphonies, Bartók’s Bluebeard’s Castle, or Britten’s War Requiem in the last few years, and he is making his Boris Godunov debut in 2023, but German has been his...
Published onthe 01 of September
Interview with Sergey Romanovsky: “Rossini remains young forever”
Russian tenor Sergey Romanovsky is coming back to the Rossini Opera Festival for the fourth time for a new production of Elisabetta, regina d’Inghilterra – originally scheduled for last summer – and a prestigious gala celebrating 25 years of Juan Diego Flórez at the Festival. We met him in Pesaro to learn more about his debut in the role of Leicester this year and his other exciting projects. *** Opera Online : Has the additional time to prepare...
Published onthe 17 of August
Olga Peretyatko : "I wanted to use my voice to try and heal and bring a little bit of peace to the world"
A few days ago, we reported on Songs for Maya, Olga Peretyatko's latest album released by Melodiya – a very personal record dedicated to her daughter Maya, born last January. We have seized this opportunity to ask the Russian soprano about this very special album, its genesis, its recording, the mantra she composed with Semjon Skigin, and also to talk about her return to opera. *** The genesis of this record is quite particular, as you didn't know you were pregnant...
Published onthe 11 of June