Articles linked to Diana Damrau

The Paris Opera presents its 2018-2019 anniversary season, at the meeting point between tradition and modernity

As a national opera, the Paris Opera has historically taken on the role of preserving France's operatic heritage and bringing French opera to life. For all that, opera is obviously a distinctly living art form and since the beginning of his mandate at the head of the Parisian establishment, Stéphane Lissner has also been committed to contributing to updating the repertoire and has been working to diversify the cultural range of France's famous Opera. This is the reason for...

---

Published onthe 30 of January

In-depth essay : Lucia di Lammermoor

Probably one of the most famous operas by Donizetti, Lucia di Lammermoor is an « extraordinary triumph » since its creation at the Teatro San Carlo di Napoli in 1835, thanks to an exalted composition and to a simple and effective libretto, but also thanks to its (many) successives singers. Diana Damrau being one of them, she takes the role (which she particularly knows well) asides Charles Castronovo and Ludovic Tézier at the Royal Opera House,...

---

Published onthe 04 of April

Metropolitan Opera : The 2016/17 season

Although the Metropolitan Opera clearly remains a prestigious opera house with one of the great lyric stages, it is well known that the New York institution has in recent years had to make do with a very limited budget – marked by a 22 million dollar deficit in 2014 and just barely in the black by a million dollars for 2015 thanks to the sale of some of its assets, and particularly through drastic cost-cutting measures that are ongoing. For the first time since its 2009-2010 season,...

---

Published onthe 19 of February

La Traviata opens the new season at La Scala

The new production of Verdi’s La Traviata (which Stéphane Lissner had announced as a premiere) will be the main event for the end of this Verdi Year. There are several reasons for that. First, it is certainly one of Verdi’s most popular works, and perhaps in all of opera. Because of its libretto, of course, as melodramatic as one could wish. Also for its music, at once simple and effective, admirably constructed in its effects, theatrical in the finest sense of the...

---

Published onthe 27 of November