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Lotte de Beer reappointed as director of the Vienna Volksoper

Lotte de Beer, artistic director of the Vienna Volksoper since 2022, has helped change the image of Vienna's "popular and folk" opera house by "trying new things". The public has responded. Her mandate has been extended until 2032. The programming of an opera house takes place over a long period of time: the choice of productions and the engagement of directors and artists are orchestrated years in advance, implying that the artistic directors of an opera house...

Published onthe 03 of July
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Director’s vision with Stéphane Lissner : Bringing great voices to the stage

For Stéphane Lissner, director of the Opéra National de Paris, the secret to programming a successful season could be summed up in three words: diversity, quality and relevance. That approach means matching the great voices of our time — singers like Jonas Kaufmann and Bryn Terfel, Anja Harteros and Anna Netrebko, and theater directors like Claus Guth and Anne Teresa De Keersmaeker — with the composers of the past, some celebrated and others less acknowledged,...

Published onthe 07 of June
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La Damnation de Faust : genesis of a production with Stéphane Lissner

Early this December, the Opéra de Paris will present La Damnation de Faust, by Hector Berlioz, featuring Sophie Koch (in the role of Marguerite), Jonas Kaufmann (playing Faust) and Bryn Terfel (as Mephistopheles), in a new production designed by Alvis Hermanis. A much-anticipated production because of its prestigious casting, of course, but also because it is intended to be emblematic of the work of the newly appointed Stéphane Lissner, officially at the head of the Paris...

Published onthe 07 of December
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Peter Gelb: Bringing high art to a wider public

Leader's vision - Peter Gelb Bringing high art to a wider public Although his 10th season as general manager of the Metropolitan Opera is under way, Peter Gelb doesn’t seem to be thinking much about milestones. Even an institution the size and stature of the Met faces keen challenges in today’s cultural marketplace, as he notes: ‘‘Opera at this level is an extraordinarily expensive undertaking — it’s not designed for 21st-century pocketbooks....

Published onthe 01 of October
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Opéra de Paris : the first (real) season of Stéphane Lissner

Everyone had high hopes when Stéphane Lissner took over at the helm of the Paris Opera:and they haven’t been disappointed!Since serious budget constraints have impacted this theatre’s budget, it is difficult to understand how this tireless man can offer the public such an appealing season with so many performances, so jammed with new productions, so inventive in terms of theatrical renewal, so seductive with their combined great voices! But if we start with the...

Published onthe 06 of February
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Stéphane Lissner recounts La Scala

La Scala is undeniably one of the world’s greatest temples of  opera; each year its season opening (on December 7, Saint Ambrose Day, named for Milan’s patron saint) is a major event for opera fans. Since 2005, when he was appointed the first non-Italian superintendent and artistic director in La Scala’s history, Stéphane Lissner has established himself as one of the architects of the Milan opera house’s international influence.  As we await the...

Published onthe 22 of November