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Helmut Pitsch

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Pitsch

Helmut

Austria

Chroniqueur depuis le 22 October 2011

Toutes ses chroniques .127

Thaïs at the Salzburg Festival 2016

Helmut Pitsch

Jules Massenet is one of the great representative of the French Grande Opera. He has left a remarkable heritage of operas but only few have made it continously into the calendar of the opera theaters. Thaïs premiered in 1894 as one of the rarely staged masterpieces which makes it from time to time into concert halls in concert version. The composition was originally arranged for the Opera comique in Paris but was first shown in the Opera Garnier, where it had been performed the most...


Thomas Ades “The exterminating angel” at the Salzburg Festival...

Helmut Pitsch

The British composer Thomas Adès has gained international reputation with his opera compositions of The Tempest premiered 2004 at the Royal Opera House Covent Garden and Powder her Face premiered in 1995 at the Cheltenham Festival as well as conductor and pianist. He has been committed by the Salzburg Festival for their yearly contemporary opera. Together with director Tom Cairns, Thomas Ades has created the libretto based on Luis Buñuel script and film El ángel...


Les Indes Galantes at the Bayerische Staatsoper, Munich

Helmut Pitsch

Jean Philippe Rameau has been a highly regarded composer during the French Baroque period and an important representative of the special French genre Opéra-Ballet, where music, stage and dance play an equal importance. The story is a typical baroque play of intrigues, jealousy, fidelity and love which can take place everywhere and does not really have any content. Les Indes galantes are sent over the exotic world to explore human relations of love, arriving in Peru,...


Die Liebe der Danae at the Salzburg Festival 2016

Helmut Pitsch

The Love of Danae is one of Richard Strauss masterpieces of the later period. He himself could not participate to the world premier in 1952 at the Salzburg Festival, after the original date in 1944 was cancelled at the same place due to the failed attack of Hitler. The opera in three acts is defined by the composer as a comedy of Greek mythology and consists of fine romantic music, in one big flow, missing arias or characteristic passages. So far, this opera did not achieve similar...


La Juive at the Bavarian State Opera, Munich

Helmut Pitsch

It is still a rare possibility to assist to this opera, even if it was once a big success in the whole Europe after its world premiere in Paris 1835. The subject of this Grande Opera seems more than actual and modern again. It demonstrates the fight between religions, prosecution and religious discrimination, linked with the fate of two strong competing men opposed and confronted by fatal love, faith power and a virtuous girl. It is a dark story with a tragic end : dark and...


Il Barbiere di Siviglia at the Glyndebourne Festival

Helmut Pitsch

This year's opening production of the highly regarded Glyndebourne opera festival is Rossini's well beloved masterpiece of Barbiere di Siviglia. Annabel Arden was already responsible for several productions in Glyndebourne and returns with a rather traditional mediterranean setting, involving most lively action rather on the edge of exaggeration. There is sufficient wit and comic in the splendid original libretto and music of this opera buffo, so there is no need for...