Lot of open questions, the audience remains clueless, some show their disappointment and incomprehension after a new interpretation of Ludwig van Beethoven's only and beloved opera Fidelio. It is this year's main new opera production of the acclaimed Salzburg Festival. This piece is for most music lovers the incarnation of a freedom drama and the triumph of love. The German director Claus Guth has put his hands on this drama of his compatriote to convert it to a revolutionary new...

It is an artistic concept of the Norwegian director Stefan Herheim which converts the traditional perceptions of a play. It is his way of a very intelligent nearly limitless presentation of the reconstruction of a piece. He shows in Hoffmann a man, who deconstructs himself, looking for his identity in his tales, which we all thought to know so far. Stefan Herheim further develops his radical concept by analysing the composer and the time of creation. Having said so, it is easier to...

The title is misleading as it is not mentioned to be a historical drama. The libretto of this opera is taken from surrealistic texts by Antonin Artaud dating from 1933, and are enriched by lyrics by Octavio Paz. It is actually a musical drama without a narrative, even it is linked to the historical fact of the conquest of America, but the composer's intention is more to accuse our civilisation, social organisation, capitalism, war and after all the central relation between man and...

Bregenz is always a big spectacle. Everything seems to be gigantic for the 7000 visitors of the so called Seebühne, the biggest opera stage built on a vast platform on Lake Constance. The audience arrives from all over the world demonstrating the international reputation this festival has achieved in its long lasting existence for technically nearly perfect sound installations, spectacular stagedesign and a pittoresque setting along the lakeshore. After a hot summer day, some winds...

It is starting soft and intimate, transparent, and the melodic intonation is kept in chamber music alike. There is no oversteering of volume or emotional outflow in the conducting of Fabio Luisi, musical director of the Zurich Opera House. Everything is said about the tragedy and melancholic fate of the plot, the heroic fight for love and the sweet moments of hope and confidence. The scenic interpretation of the overture seems to be a three dimensional overflow on the fast turning...

It is always magic and miracolous to enter the 'Teatro Olimpico' in Vicenza. Built by the world famous architect Andrea Palladio in the shape of an antique Greek amphitheatre in the 16th century, it is now the home of the 'settimane musicali', a fine festival of opera and chamber music in its 24th year. It is its intimate athmosphere, the very personal service and the unforgetable ambience and the extraordinary acoustics of the location which make it a prestigous event for...