Columns linked to English National Opera

Nothing to Frighten the Horses in My Fair Lady at the London C...

Sam Smith

Alan Jay Lerner and Frederick Loewe’s 1956 Broadway musical My Fair Lady is based on George Bernard Shaw’s Pygmalion of 1913. Set in Edwardian London, it sees phonetician Professor Henry Higgins make a bet with one Colonel Pickering that he cannot pass off Eliza Doolittle, a Cockney flower girl, as a lady. He intends to do so by giving her intensive speech lessons with the test being whether she can fool everyone at an Embassy Ball. She succeeds when a rival phonetician...


A Stark and Effective Production of The Handmaid’s Tale at t...

Sam Smith

Written in 1998 to a libretto by Paul Bentley, Poul Ruders’s The Handmaid’s Tale is based on Margaret Atwood’s eponymous novel of 1985. This means that when he wrote it no one had even heard of Bruce Miller’s television series that aired in 2017. With some qualifications, the opera follows the same plot as the novel in painting a nightmarish vision of the early twenty-first century, which then still lay in the future. It is a world in which a supposedly...


First Revival of Phelim McDermott’s Così fan tutte at the Lond...

Sam Smith

Così fan tutte of 1790 is the third and final opera (after Le nozze di Figaro and Don Giovanni) on which Mozart collaborated with the librettist Lorenzo Da Ponte. Originally set in Naples, it sees the philosopher Don Alfonso challenge two soldiers, Ferrando and Guglielmo, to prove that their respective fiancées, the sisters Dorabella and Fiordiligi, are faithful. He is certain that no woman ever is, but the younger men are so convinced of their own lovers’ fidelity that...


Jamie Manton’s New Production of The Cunning Little Vixen at t...

Sam Smith

Composed between 1921 and 1923, Leoš Janáček’s The Cunning Little Vixen is based on the serialised novella Liška Bystrouška by Rodolf Těsnohlídek of 1920. This first appeared in the newspaper Lidové noviny, with illustrations by Stanislav Lolek, and Janáček adapted its words to arrive at the final libretto for the opera. A more literal translation of the Czech title would be Tales of Vixen Sharp-Ears, and the story tells of the...


Fifth Revival of Jonathan Miller’s La bohème at the London Col...

Sam Smith

Giacomo Puccini’s 1896 creation La bohème is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple, Marcello and Musetta, have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and Mimì, on the other hand, enjoy an apparently perfect love,...


The Valkyrie heralds the start of a new Ring Cycle at the Lond...

Sam Smith

English National Opera is commencing a new Ring Cycle, directed by Richard Jones, but rather than starting with the first opera in Richard Wagner’s tetralogy, Das Rheingold, it is beginning with the second, The Valkyrie. Then, over the next five years, the complete series will be presented in a co-production with New York’s Metropolitan Opera. While in the initial instalment the chief god Wotan manages to retain his status and magnificent fortress Valhalla, albeit at a...