Columns linked to Aigul Akhmetshina

Aigul Akhmetshina Shines in Carmen at the Royal Opera House, C...

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has the sweet, loving...


7 Deaths of Maria Callas Brings Marina Abramovic to the London...

Sam Smith

7 Deaths of Maria Callas is a multi-disciplinary affair as it combines opera, live and performance art and video projections. It is the brainchild of Marina Abramović, who is known as the mother of performance art, and is currently enjoying a retrospective at the Royal Academy of Arts. Abramović has always felt an affinity with Maria Callas, and the suffering caused by disillusionment and dramatic love affairs that lies at the heart of many of her own works finds its...


Outstanding Revival of La traviata at the Royal Opera House, C...

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas, fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...


A Truly Overwhelming Lady Macbeth of Mtsensk at the Royal Oper...

Sam Smith

Although initially enjoying great success, Shostakovich’s Lady Macbeth of Mtsensk of 1934 has courted controversy almost from day one. Being condemned from various quarters for its lurid descriptive music in the sex scenes, its supposed justification of Stalin’s genocide (the main protagonist kills her kulak in-laws) and its ‘primitive satire’ in its treatment of the priest and police, it was attacked by both Stravinsky (who described it as ‘lamentably...