Adriana Lecouvreur has returned to the Liceu, a title that is an authentic operone, with a great vocal score and an orchestration of high level and full of details; a very great drama, with four acts, ballet, three imposing characters and an intense dramatic conflict on a libretto with no special poetic relevance. A work with a very rare aesthetic situation given that, ascribed by the time of composition (it was premiered in 1902) to verismo, it is not about screams and stabbings...

Although Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci are entirely separate operas, they are so frequently performed together that ‘Cav and Pag’ is now a standard phrase in the operatic world. In some ways it is easy to see why it has become a tradition to pair the two. Written only two years apart, in 1890 and 1892 respectively, their short running times mean they can comfortably fit into one evening, and together they seem to...

Christmas is coming and Liceu, like many other theatres, has decided once again to offer an attractive programme for the non-specialised audiences, who on these festive dates decide, perhaps for the only time in the season, to go for one night at the opera. On this occasion, the offer has consisted in the traditional double act integrated by Cavalleria rusticana and Pagliacci, the famous pair of short verismo operas, which tradition has transformed into an unbreakable matrimony. In...

It is still a rare possibility to assist to this opera, even if it was once a big success in the whole Europe after its world premiere in Paris 1835. The subject of this Grande Opera seems more than actual and modern again. It demonstrates the fight between religions, prosecution and religious discrimination, linked with the fate of two strong competing men opposed and confronted by fatal love, faith power and a virtuous girl. It is a dark story with a tragic end : dark and...

As the curtain falls on Moshe Leiser and Patrice Caurier’s Madama Butterfly, the Royal Opera House swaps tragedy for comedy with the second revival of the same directors’ 2005 production of Il turco in Italia. Rossini’s thirteenth opera of 1814 is a comedy of errors involving a series of love triangles between various Turkish and Italian characters. The added twist is that many of these ‘errors’ are deliberately engineered by the poet Prosdocimo as he...