Columns linked to Aleksandrs Antonenko

Too Clever by Half: The Queen of Spades at the Royal Opera Hou...

Sam Smith

Tchaikovsky’s The Queen of Spades of 1890 is based on Pushkin’s eponymous short story of 1834. Set during the reign of Catherine the Great it sees the officer Gherman initially admire from afar, and then become increasingly obsessed with, the granddaughter of the old Countess, Liza. She, however, is engaged to Prince Yeletsky, and Gherman knows that his lack of wealth means he will never stand a chance of winning her. He learns, however, that the now elderly Countess...


Cavalleria rusticana and Pagliacci at the Royal Opera House, C...

Sam Smith

Although Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci are entirely separate operas, they are so frequently performed together that ‘Cav and Pag’ is now a standard phrase in the operatic world. Written only two years apart, in 1890 and 1892 respectively, their short running times mean they can comfortably fit into one evening, while both tell stories of love, betrayal, jealousy and murder. Many directors ensure that the same...


Željko Lučić and Sonya Yoncheva: Otello at the Metropolitan Opera

Thibault Courtois

Opening Night at the Met is like no other night. It is that night when the show is as much on stage as it is in the audience, when the most classical tuxedos leave space to the craziest, fanciest and brightest gowns. Opera aficionados are happy to see each other and are catching up like school kids after a summer vacation while more “notable” New Yorkers slowly and strategically walk the red carpet so it does not look like they are holding up before they get in front of the...