It takes a special production to ensure listeners do not get helplessly lost in the messy operatic overgrowth of La finta giardinieria. Written by Mozart at the age of 18, the score possesses little of the trailblazing innovation that would characterise his mature operas. Conventional arias are joined together with tiresome stretches of recitative, in a dreary musical terrain that only occasionally lights up to flashes of musical genius. The story centres on Sandrina, a noblewoman...

Olga Mykytenko’s indisposition during the last rehearsals was the reason for Anett Fritsch’s debut at Liceu as Almaviva Countess. The young German soprano (1986) triumphed at Salzburg in 2015 with the same role and will soon be debuting at La Scala as Donna Elvira. Anett Fritsch possesses all the attributes for a great Countess: the most beautiful voice, good style, scenic presence and a sensual elegance that adds very interesting nuances to the character. Her “Dove...