Columns linked to Bryan Hymel

Double the Thrill in this Double Bill: Cavalleria rusticana an...

Sam Smith

Damiano Michieletto’s take on Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci, which represents a co-production between Opera Australia, La Monnaie in Brussels, The Göteborg Operaand the Royal Opera House, was well received when it first appeared at the latter venue two years ago. With this first revival from Rodula Gaitanou proving just as strong, and hence confirming that its initial success was no fluke, it is reasonable to acclaim the...


Les Vêpres siciliennes at the Royal Opera House, London

Sam Smith

Giuseppe Verdi’s Les Vêpres siciliennes of 1855 tells of the French occupation of Sicily in the thirteenth century. Prior to the opera’s opening the Sicilian patriot Jean Procida was exiled and the French conqueror Guy de Montfort, who became the island’s governor, violated a Sicilian woman who subsequently had a son called Henri. At times the Sicilians are a little too ready to accept their subservient position, but three individuals are determined to set the...


Don Carlo at the Royal Opera House, Covent Garden

Sam Smith

Giuseppe Verdi’s Don Carlo, which premiered in 1867 in Paris as Don Carlos, exists in several versions, and, depending on which is performed, is either his longest or one of his longest operas. Although the first performance was in French, Nicholas Hytner’s 2008 production for the Royal Opera House employs the Modena version of 1886, which is one of several to utilise an Italian libretto. Don Carlo ; © ROH, Catherine Ashmore Don Carlo ; © ROH, Catherine...


Carmen at the Royal Opera House, Covent Garden

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy girl and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has decided to...


Sonya Yoncheva in the Met’s ‘La Bohème’

Thibault Courtois

You could sense fear in the audience when Peter Gelb, General Manager of the Metropolitan Opera showed up on the stage with a microphone when everyone was expecting Ricardo Frizza to appear in the pit. Gelb had bad news and good news, as he said. Ramon Vargas had cancelled last minute but fortunately, the Met was able to fly in Bryan Hymel from Chicago earlier the same day. Gelb also announced that Sonya Yoncheva, the lead soprano, had a new born five weeks ago (general “awwww”...