Columns linked to Christopher Maltman

Das Liebesverbot at Madrid: the ‘other’ Wagner

Jorge Binaghi

A  little known Wagner, and with a dubious reputation, basically because of its exclusion from the true ‘corpus’ at Bayreuth, wherefrom it was banned together with Die Feen and Rienzi by composer and family. It’s strange that in the most sacred place of Wagnerism it’s impossible to see an opera that, following a wonderful work by Shakespeare much more ambiguous, complex and finally interesting than the libretto written by the author, the typical ‘opera...


Don Giovanni at the Royal Opera House, Covent Garden

Sam Smith

Don Giovanni of 1787 is one of three operas that Mozart wrote with the librettist Lorenzo Da Ponte (the others being Le nozze di Figaro and Così fan tutte). It tells of the eponymous hero, or rather antihero, who effortlessly conquers thousands of women. Although in the process he makes many enemies, the ladies he has cheated have a habit of coming back for more or trying to save him, and in the end he is responsible for his own downfall. When the ghost of the...