The debut of Iréne Theorin, one of the greatest Wagnerian sopranos of our time, on the title role was the main feature of the restaging of La Gioconda at Liceu. The opera by Amilcare Ponchielli – the only one by him remaining in the repertoire – moves very awkwardly, as it doesn’t fit anywhere, in the space in between post Verdi and Verism. This wasn’t possible. A few hours before the opening, the theatre announced that Iréne Theorin, still...

The overall result of the Un ballo in maschera’s opening at Liceu – presented as the official opening of the season, although the season had de facto already started last month with Il viaggio a Reims – is clear: the men and choir were good, less so the women, passable the conductor and orchestra, ugly and dark the production and very poor the stage direction. Let’s start with what went well. Carlos Álvarez is at the best moment of his career, already...

All Wagner should sound this glorious. Der Fliegende Holländer is the work of a young Wagner still finding his distinctive voice and style. But it has the (rare) merit of brevity, which allows the best performers to attack it with unstinting energy. At the Metropolitan Opera, under the baton of Yannick Nézet-Séguin, it is taut and thrilling music drama. From the first moments, the brass section played with an energy that swept me away. Nézet-Séguin...