In Barcelona, Carmen always comes as a balm for the arks of a theatre that is constantly in a financial crisis. Carmen is a comfortable title, it gets a full house, and this was not an exception. It was presented in the "outrageous" version by Calixto Bieito, originally created for the Festival of Peralada, which has been running around the world for 15 years, conveniently adapted, with a significant success. It is a difficult, risky production.  Carmenis a fleshy,...

We were expecting an extraordinary show. First, there was the symbolic choice of 3 October, the day of Germany’s reunification. Then the reuniting of two giants of Berlin’s musical scene, Harry Kupfer as stage director and Daniel Barenboim as musical director. And then there is the opera itself, Fidelio, an apologia for freedom and faithfulness, perfect for evoking the isolation of the former Eastern Bloc. The promise of a great opera moment is realised in the first bars of...