Columns linked to James Laing

Irish National Opera’s Bajazet Comes to the Royal Opera House,...

Sam Smith

Although better known today for his concertos, in his own lifetime Antonio Vivaldi was just as famous for his operas. He claimed to have written ninety-four, and while it is impossible to prove he ever composed quite so many, we do know of at least thirty-two. Bajazet of 1735 is one of these although strictly it is a pasticcio, which is a work built around music (usually from a range of composers) that by and large already exists. In this instance, it seems that Vivaldi...


London’s Sixth Ever Performance of Handel’s Berenice at the Ro...

Sam Smith

Handel’s Berenice was written at a time when the composer desperately needed a success. By 1737 he had been competing for audiences with the rival Opera of the Nobility for four years, but unfortunately things did not play out as he had hoped. Pressures, including the work involved to complete the piece, led him to have a stroke, and the opera, conducted by John Christopher Smith as the composer’s right hand was temporarily paralysed, lasted a mere four performances. Although...


World creation: Marnie at the London Coliseum

Sam Smith

Marnie is best known today as a 1964 Hitchcock film, but it actually started life as a novel written by Winston Graham in 1961. It tells of a woman who has been damaged since childhood after believing that she killed her baby brother, because that is what her mother told her. As an adult she has taken on a series of jobs, each time embedding herself in the organisation before robbing it and moving on to another using yet another pseudonym. Her philosophy is that if God is capable of...


Partenope at the London Coliseum

Sam Smith

George Frideric Handel’s twenty year long domination of London opera began in 1720 with Radamisto, meaning that Partenope, which appeared in 1730, was at the midpoint of this golden period. The opera was extremely well received on its premiere, but it is about as far removed from opera seria as any of the composer’s works, and presents a challenge to any director who wishes to make sense of such a far-fetched story. English National Opera, however, has long been known as...