Staatsoper unter den Linden: A Götterdämmerung with emotions The Ring comes to an anti-climactic end. Thanks to the singers and orchestra, it is still an evening well worth attending. Having reached the last evening of the Ring der Nibelungen, audience members are always curious as to how a stage director tackles the grand collapse of society envisaged by Richard Wagner with the reurning of the Ring to the Rhine. How will stage director and designer Dmitri Tcherniakov handle...

Staatsoper unter den Linden: A Walküre without any allusions Gods are also just ordinary people in this lavish but stark production at the Staatsoper Berlin Consistently, director Dmitri Tcherniakov refuses to use any conventional props on the second evening of the new Ring der Nibelungen at the Staatsoper unter den Linden. As in Rheingold, we find ourselves in the E.S.C.H.E Research Centre - the Scientific Centre for Human Development. During the overture, a short news video...

There are few story lines more magical than that of a beautiful young but blind princess who gains sight through the power of love to a young knight. Peter Tchaikovsky's last opera Iolanta is just that - magical, luminous, poetic and with a rare happy ending. The story is set in 15th century Provence. The daughter of King René is blind, but does not know it because her entourage cares for her in such a way that she does not perceive her missing sense as a deficit. Her...