Based on the Sophocles tragedy, Richard Strauss’s Elektra of 1909 represents the first of his several collaborations with librettist Hugo von Hofmannsthal, who in this instance had already written an eponymous play. It is the second of Strauss’s two highly modernist operas, and deploys dissonance, chromaticism and extremely fluid tonality to an even greater degree than his first, Salome.  The opera is expressionistic in every sense since the adaptation of the...

Shostakovich’s final opera, Lady Macbeth of the Mtsensk District, has had a rocky history. It was a smash hit when first performed in 1934, but it was officially condemned by the Communist Party two years later for its sympathetic portrayal of a triple murderess. Nowadays, it hovers on the fringes of the standard repertoire (barely making it into Operabase’s 100 most-performed works globally last season). It’s exciting to see it newly staged at the Salzburg Festival this...

Turandot started its world-wide successful career from the stage of La Scala in Spring 1926, one and half year after the death of its author. The staging of Puccini’s last and unfinished masterpiece – hailed by a renowned study as “The End of the Great Tradition” of Italian opera – under Toscanini’s baton was a major event. La Scala’s choice to open its special season for Expo 2015 (running non-stop from May 1rst to October 31rst) strikes us...