Columns linked to Roderick Williams

Natalya Romaniw Reigns Supreme in Madam Butterfly at the Londo...

Sam Smith

Set in Japan, Puccini’s Madama Butterfly of 1904 explores the relationship between the American naval officer Pinkerton and the Nagasaki born Cio-Cio-San, who he both affectionately and patronisingly calls Madam Butterfly. She takes their marriage extremely seriously, even converting to Christianity the day before their wedding and consequently being ostracised by her family. He, on the other hand, sees his union as being akin to his Japanese house,...


A Staged Version of Britten’s War Requiem at the London Coliseum

Sam Smith

While most composers’ settings of the Catholic Church’s Requiem Mass were written to honour departed individuals, Benjamin Britten’s War Requiem is rather different. It was commissioned to be performed at the consecration of the newly built Coventry Cathedral in 1962, the old structure having been bombed during the Second World War. It was therefore designed to commemorate all lives lost in war, and, although circumstances prevented this from happening, it was planned for...


The Ancient Becomes Timeless in The Return of Ulysses at the R...

Sam Smith

The story in Claudio Monteverdi’s Il ritorno d’Ulisse in patria, performed here in English as The Return of Ulysses, of 1639 is taken from the second half of Homer’s Odyssey. In it Ulysses, King of Ithaca, finally returns to his kingdom following ten years fighting in The Trojan Wars and a further decade lost at sea. His wife Penelope has remained faithful throughout his long absence, in spite of loathsome suitors queuing up to persuade her to forget him and embrace...