Tosca, one of the titles in the repertoire that performs best at the box office, has returned to Liceu to reach the figure of two hundred performances in the history ofthe Barcelona theatre. It has done so in a co-production between Liceu and other Spanish and European theatres under the direction of the young Sevillian director Rafael R. Villalobos, aspiring enfant terrible of today's operatic stage direction. Villalobos's Tosca is one of those that needs an instruction manual...

Opening Night at the Met is like no other night. It is that night when the show is as much on stage as it is in the audience, when the most classical tuxedos leave space to the craziest, fanciest and brightest gowns. Opera aficionados are happy to see each other and are catching up like school kids after a summer vacation while more “notable” New Yorkers slowly and strategically walk the red carpet so it does not look like they are holding up before they get in front of the...

It was a long expected event, being the first Verdi Premiere of the musical director Christian Thielemann. Highly regarded for his Wagner and Strauss Interpretations his admirers in the sold out Semperoper were reluctant to get acquainted with his talent for Italian operas. One could feel the excitement throughout the orchestra and all participants. Sensible, very symphonic and romantic was his conducting of this dramatic dark tragedy of the unlucky giftful genovese doge. As always...

Last opera performance of this festival was a concert performance of Verdi's first big success Nabucco in an all Italian cast. Maestro Muti brought along his orchestra and chorus of the Teatro dell`Opera di Roma. And one could feel the close relation of the musicians with the music of Verdi and Nabucco in particular. He made them play sensible, clear with Italian pathos and melodic sense. The choir showed Italien feeling for singing and "va pensiero" made...