Columns linked to Alexander Joel

Strong Singing but Questionable Staging: Luisa Miller at the L...

Sam Smith

Luisa Miller is not one of Verdi’s total rarities, but it does not grace major opera houses with anywhere near the same frequency as his most popular creations. The work, however, has much merit as, for example, Act II ends with an allegro in three mounting stages that, although quickening towards an animated finish, is not like a conventional stretta. Written in 1849, it is regarded as coming at the beginning of the composer’s ‘middle period’, with...


Strong Revival of Jonathan Kent’s Tosca at the Royal Opera Hou...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900 not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially triumphant and sent news of victory back to Rome, but the...


Triumphant Return for Jonathan Miller’s La bohème at the Londo...

Sam Smith

Giacomo Puccini’s 1896 creation La bohème is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple, Marcello and Musetta, have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and Mimì, on the other hand, enjoy an apparently perfect love,...