Columns linked to Chris Hopkins

A Fun First Revival of Cal McCrystal’s Iolanthe at the London ...

Sam Smith

Iolanthe; or, The Peer and the Peri of 1882 is the seventh of Gilbert and Sullivan’s fourteen collaborations. It was their first work to premiere at the Savoy Theatre (although Patience had transferred there in 1881) and ran for 398 performances, while also appearing extensively across the United Kingdom and America. It concerns a Fairy named Iolanthe who marries a mortal man. Although this is a capital offence under Fairy law, the Queen of the Fairies curtails her punishment to...


English National Opera Presents a New Production of The Yeomen...

Sam Smith

The Yeomen of the Guard of 1888 is one of Gilbert and Sullivan’s richest and darkest operettas. Set in the Tower of London in the sixteenth century, it sees one Colonel Fairfax face execution. The charge of sorcery, however, was the doing of his uncle who stands to inherit his estate if he dies unmarried. Fairfax plans to thwart his relative by marrying in the final hour of his life, and asks his friend Sir Richard Cholmondeley to find a suitable bride who will receive a large...


First Ever Production of HMS Pinafore at the London Coliseum

Sam Smith

Although this is English National Opera’s first production of HMS Pinafore, it has a long and proud tradition of performing works by Gilbert and Sullivan. It is, however, a deceptively difficult task for a major opera house to pull off their creations because it is so easy for any production to fall either side of the tightrope it inevitably walks. On the one hand, these operettas require energy and so it is always a risk that top professionals in their pursuit of excellence will...


Top Cast in Revival of Jonathan Miller’s The Mikado at the Lon...

Sam Smith

The Mikado, one of Gilbert and Sullivan’s most popular works and the subject of Mike Leigh’s film Topsy-Turvy, is a farcical operetta that sees all of the residents of the town of Titipu trying to escape execution, including the executioner! First performed in 1885, its nominal Japanese setting is a thin veil for its real commentary on English values, hierarchies and arcane laws and conventions. This being so, director Jonathan Miller decided to do away with any notion of Japan...