Charles-François Gounod’s Faust premiered at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859. It underwent several revisions over the following decade, including the insertion of a ballet into Act V to meet the expectations of grand opera, and was extremely popular in the nineteenth century. It was the work with which New York’s Metropolitan Opera opened for the first time on 22 October 1883, while Covent Garden included it in its...

Opera is the most complex and interdisciplinary form of artistic expression created by Western culture, all scenic and musical arts are represented. In this state of affairs, in the same way that it is very difficult to totally ruin an operatic performance it is even a greater challenge to achieve absolute perfection. Nevertheless, this is – or almost is – what happened in the premiere of Andrea Chénier at Liceu, one of the foundational titles of the verismo movement...

Despite only being mentioned briefly in the New Testament, the character of Salome has certainly caught the imagination as she has pervaded art, literature and music over the centuries. In the Gospels of Matthew and Mark she is described as a girl who pleased King Herod so much at his birthday feast with her dancing that he promised her anything she desired. After consulting Herodias, the husband of Herod and her mother, she asked for the head of John the Baptist on a plate, with Herodias...

Over 80 years of existence, a wonderful setting in the hills of South England and high quality performances have made Glyndebourne a high reputable festival. Everybody who has ever been there will never forget the remote familiar atmosphere with sheep on the fields nearby the picnic on the impeccable lawns, and this relaxed relation of nature and art. A perfect location and attitude for experiencing an opera, especially the monumental piece of Meistersinger by Richard Wagner. It...

Milan’s Teatro alla Scala was one of the first theatres to take on the arduous task of staging Les Troyens, at a time when Berlioz’s work was a matter of complete indifference to the public.In an epoch-making Italian edition, Giulietta Simionato amd Mario Del Monaco were able to restore their full dimension to the principal roles, thanks in part to the presence of Rafael Kubelik at the rostrum.Leaving it up to the English to go back to the original version some...