La Cenerentola, even more than Il Barbiere di Siviglia, is the true encyclopaedia of Rossinian singing which, in a barbarically summarized form, could be defined as a singing that must be easy, fluid, light, but in no way inconsistent; a line full of high notes to which the interpreter should never arrive puffing, exhausted, strangled and at the limit of their strength after a risky climb, but should fly over it elegantly and lightly, taking advantage of the fact that Rossini never forces...

Based on Sir Walter Scott’s historical novel The Bride of Lammermoor, Donizetti’s Lucia di Lammermoor of 1835, with a libretto by Salvadore Cammarano, is set in Scotland. The Ashton and Ravenswood families have a long-standing hatred of each other with the former family now owning the estate that previously belonged to the latter. The Ashtons have themselves fallen on hard times, however, leading the Master of Lammermoor Enrico to insist that his sister Lucia marry the...

Gaetano Donizetti’s 64th opera, Don Pasquale of 1843, represents both the zenith and the end of opera buffa since it stands as one of the finest examples of the genre, and yet there are practically none written after that date that are still in the standard repertoire. Set in Rome, it sees the ageing Don Pasquale disinherit his nephew Ernesto, who loves the young but poor widow Norina, for refusing the woman he had found for him. Even Don Pasquale’s own doctor...

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today, and the Royal Opera has been putting a special focus on the work in its 2021/22 season. By the end of this month no less than six different singers will have taken on the main role with Lisette Oropesa, Kristina Mkhitaryan and Anush Hovhannisyan having sung it across a dozen performances last autumn. The opera now returns for thirteen outings in April 2022, as well as a live cinema...

Liceu continues with safe bets for guaranteed box office sold outs. Last month we had La Bohème and now for the closing of the season arrives Lucia di Lammermoor. The great title by Donizetti was presented with a premium cast: Mexican tenor Javier Camarena as Edgardo and North American soprano Nadine Sierra as Lucia for her debut at the theatre. The production, from 2015, came from the Bayerische Staatsoper, signed by Polish actress and theatre director Barbara Wysocka. The...