There are few story lines more magical than that of a beautiful young but blind princess who gains sight through the power of love to a young knight. Peter Tchaikovsky's last opera Iolanta is just that - magical, luminous, poetic and with a rare happy ending. The story is set in 15th century Provence. The daughter of King René is blind, but does not know it because her entourage cares for her in such a way that she does not perceive her missing sense as a deficit. Her...

There was a lot to see and somehow nothing. Romeo Castellucci is the Italian director of this new and highly expected production of Tannhäuser at the Munich Nationaltheater, whose history is strongly linked with the oeuvre of Richard Wagner. Romeo Castellucci showcases strong and intense pictures in a continuous but nonetheless uneasy and unclear to follow flow of symbolic acts, and in a way absorbed in the story plot. Laureate in set design and painting in Bologna, he founded the...

It is David Bösch fifth direction at the Bavarian State Opera and this new creation shows the characteristics of his work and his stage designer Patrick Bannwart. The whole story takes place in a dark and miserable, nearly apocalyptical environment to be dedicated to the late 70s - costumes by Meentje Nielsen. The city of Nuremberg is preparing the prestigious open air event of Johannisnacht and the Meistersinger competition on the mainsquare. The star of the evening, Munich...

The Center of Munich ıs currently full of antarctic fever expecting the world premiere of South Pole, an opera by young Czech composer Michael Srnka, a special order of the Bavarian State Opera. The cool, decorless big space in front of the opera house has been acoustically converted by a sound installation presenting calving glaciers, roaring whales or polar bears, icy snow storms and everything else to be heared on the coldest continent. An imitation of Amundsen's tent, installed...

The creation of Ariadne auf Naxos originally led to a novelty in music history. It was the desire to support the work of their friend Max Reinhardt that Richard Strauss and his genius librettist Hugo von Hoffmannsthal brought the intention to combine a play with a lyric opera in one piece. So, they brought together the drama by Jean Baptiste Molière Le Bourgeois Gentilhomme, enriched with ballett music and the Greek tragic story of the unhappy love of Ariadne, liberated by the god...