What a happy idea Stéphane Lissner had for his first season in reprising the last (and necessarily melancholy) production by Hugues Gall a little more than 10 years ago, when he left the Paris Opera:there is an implicit homage, and the sign of a desire for continuity in excellence.For the excellence is there, in the prodigious staging by Robert Carsen, perhaps one of his most successful:in this setting, which is an elegant mise en abyme of the Opéra Garnier, the...

The creation of Ariadne auf Naxos originally led to a novelty in music history. It was the desire to support the work of their friend Max Reinhardt that Richard Strauss and his genius librettist Hugo von Hoffmannsthal brought the intention to combine a play with a lyric opera in one piece. So, they brought together the drama by Jean Baptiste Molière Le Bourgeois Gentilhomme, enriched with ballett music and the Greek tragic story of the unhappy love of Ariadne, liberated by the god...