It is starting soft and intimate, transparent, and the melodic intonation is kept in chamber music alike. There is no oversteering of volume or emotional outflow in the conducting of Fabio Luisi, musical director of the Zurich Opera House. Everything is said about the tragedy and melancholic fate of the plot, the heroic fight for love and the sweet moments of hope and confidence. The scenic interpretation of the overture seems to be a three dimensional overflow on the fast turning...