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Xavier Pujol
Pujol
Xavier
Spain
Chroniqueur depuis le 20 April 2015
Toutes ses chroniques .84
A Pelléas et Mélisande of Dark Beauty at Liceu
Xavier PujolAchieving perfection in opera, the most complex form of artistic expression that Western culture has ever created, is not easy, but when it is achieved, the result is magical. The Pelléas et Mélisande currently on stage at Liceu does not reach perfection but it is very, very close to it and it is more than likely that it will become the great show of the season on an artistic level and will remain for many years in the theatre’s memory. Pelléas et...
Pikovaya Dama at the Liceu: The Return of a Historic Production
Xavier PujolIn January 1992 Liceu presented a new production for Pikovaya Dama, a relatively infrequent opera in the Barcelona stage despite being one of the best Tchaikovsky operas. At that time, it was unanimously considered to be one of the most luxurious productions the theatre had ever done. In 2003 and 2010 it made the stage again and now, thirty years after its premiere, it has once more come back to Liceu – a rare event for an operatic production. Pikovaya Dama operates in two...
Liceu: Wagemakers’ Rigoletto returns with Bernheim, Maltman an...
Xavier PujolRigoletto comes back to Liceu – there will be fifteen performances and it will take the stage for the next few weeks. Verdi’s opera is presented in the same production, with Monique Wagemakers signing as stage director, as in March 2017 which was already reviewed for Opera Online. Nothing essential has changed and its virtues and flows are still present. However, it would seem that in this re-staged version, the actors’ direction and the choir’s movement...
War Requiem: War as (only) pain and suffering
Xavier PujolIn 1942 composer Benjamin Britten declared himself a conscientious objector in front of a tribunal. Twenty years later, in 1962, his War Requiem was premiered as part of the commemorations of the inauguration of Coventry cathedral’s reconstruction, which had been destroyed during the German air raids of WWII. The composer, who considered this piece as one of his most important creations, made a requiem without epic character, without exaltation of the heroes fallen in the honour...
Ariadne auf Naxos at Liceu: Josep Pons’ Good Strauss
Xavier PujolLiceu opened its 175th season with Strauss’ Ariadne auf Naxos, an opera that has rarely been seen at the theatre and which had not been brought on stage for almost 20 years. Written for a moderately sized orchestra and with a transparent yet dense orchestration of refined sonorities, Ariadne is a difficult opera to resolve instrumentally. Maestro Josep Pons, the theatre’s principal director chose to face the challenge of conducting this Ariadne and the obtained results were...
Castell Peralada: Orlando Brings Together Woolf and Handel
Xavier PujolPeralada’s Festival, one of the most important summer festivals in the Costa Brava (Catalonia), has premiered a new production for Handel’s Orlando, a risky bet for a title outside the mainstream operatic repertoire. This was a winning bet both for the musical quality of the interpretation as well as for the theatrical interest of the new production. The young Sevillian stage director Rafael R. Villalobos was charged with this project. He brought together on stage the...