Very often the experience of opera takes on an exclusively artistic or aesthetic character and we live it as an experience of the spirit. Sometimes, though, the experience of opera resembles more that of a sports event, or a risk sports event to be more precise. We are then in front of a form of vocal athletics. It is a different experience, with lots of adrenaline, very gratifying in the moment and perhaps less so in the long term. La fille du régiment, by Donizetti, is an...

Philipp Stolzl, the stage director of the Der fliegende Holländer’s version that is being performed at Liceu, states in the programme (quoted by Brigitte Heusinger): “We tell it (the story of the Dutchman)from the perspective of Senta… and we draw the psychograma of a woman that escaped into the world of legend and fantasy and does not manage to come back from it. Now, years later, Senta is a disoriented girl in the body of an adult woman”. The idea of...

A dramatic conception that was complex to decipher and perhaps even polemic, a surprising and spectacular visual coldness and a totally convincing musical resolution were the three main axis of the performance of Rigoletto presented by Liceu. It is difficult to dramatically face the great titles of the repertoire because it is a matter of finding the right balance between redundancy and extravagance, two extremes that are both artistically sterile. In this production of the Verdian...

Composer Luca Francesconi clarified the purpose of his piece to journalist Tom Service (The Guardian 19/06/2014) for the premiere of his opera Quartett in London in 2014: Don’t dare to come if you can't accept that you need to analyse what you do and who you are. This piece is violent, it’s sex, it’s blasphemy, it’s the absence of mercy. The only two characters in the opera are the definition of cynical, they have made a pact that they don’t have to...

Looked down on by the official cultural savants (including psychoanalysts) for embodying the trivialisation and heavy-handed simplification of one of the most powerful love stories of the western culture, almost like a creation myth; and despised as well by the scholarly musicology of the 20th century that considered Massenet to colour everything with an unbearable bourgeois temperateness and a sticky and decorative sweetness, Werther is one of those “Cinderella” titles that...

Staging Elektra at Aix-en-Provence’s Festival in summer 2013 was Patrice Chéreau’s last work, since the film, theatre and opera director died in October of the same year. Having visited Milano, New York, Berlin and Helsinki, this production has finally arrived to Barcelona, with almost the same vocal cast that premiered it three years ago, who worked under direct orders from Chéreau himself. They are meeting again in Barcelona, for the last time it looks like,...