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Strong Singing but Questionable Staging: Luisa Miller at the L...

Sam Smith

Luisa Miller is not one of Verdi’s total rarities, but it does not grace major opera houses with anywhere near the same frequency as his most popular creations. The work, however, has much merit as, for example, Act II ends with an allegro in three mounting stages that, although quickening towards an animated finish, is not like a conventional stretta. Written in 1849, it is regarded as coming at the beginning of the composer’s ‘middle period’, with...


First Ever Staging of Gerald Barry’s Alice’s Adventures Under ...

Sam Smith

Gerald Barry has written six operas, with his first The Intelligence Park of 1990 appearing in the Royal Opera House’s Linbury Studio last autumn. Now, his Alice’s Adventures Under Ground of 2016 comes to Covent Garden’s larger venue for its first ever staged performances. The opera only lasts an hour meaning there are two performances on most of the days it is appearing, with Cast A taking on one of them and Cast B the other. Barry has opted for the original title of...


A Thrilling Siegfried at the Royal Festival Hall, London

Sam Smith

In January and February 2021 the London Philharmonic Orchestra, under the baton of Vladimir Jurowski, will be presenting Richard Wagner’s tetralogy Der Ring des Nibelungen twice at the Royal Festival Hall. It began performing the operas individually two years ago, with Das Rheingold being presented in 2018, Die Walküre last year and Siegfried appearing now. This is the opera that moves on from the failed attempts of the chief god Wotan to retain control of the world for...


Second Revival of Calixto Bieito’s Carmen at the London Coliseum

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has the sweet, loving...


The Little Match Girl ‘Retold’ in Aisha and Abhaya at the Roya...

Sam Smith

On the Royal Opera House’s website Aisha and Abhaya is listed under both ‘opera and music’ and ‘ballet and dance’ as if to suggest it is a hybrid piece. While, however, it undoubtedly consists of music, dance and film, it is hard to see how it qualifies as an opera since across the hour-long piece only a small amount of (non-operatic) singing features in Ori Lichtik and Gaika’s specially created soundtrack. Nevertheless, this point is made solely for...


The Return of the Old Paper Aida at Gran Teatre del Liceu

Xavier Pujol

Aida - the opera which with over 450 performances is by large the most performed at Liceu - has come back once more to the Barcelonan theatre in a unique staging that belongs to the history of the theatre: the old paper set by stage designer Josep Mestres Cabanes (1898-1990). Aida (c) A. Bofill Aida (c) A. Bofill Mestres Cabanes, master of perspective and scenography trompe-l’oeil, spent 8 years painting this set. This was premiered in 1945 and was used regularly...


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