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The Winter’s Tale at the London Coliseum
Sam SmithAny world premiere at one of London’s major opera houses is an exciting occasion, but Ryan Wigglesworth’s The Winter’s Tale was especially so given that it is based on a Shakespeare play that has seldom undergone the operatic treatment. There have been around a dozen works based upon the piece, including Max Bruch’s Hermione, Carlo Emanuele di Barbieri’s Perdita, ein Wintermärchen and John Harbison’s The Winter’s Tale, but that is a paltry...
Quartett at the Liceu: some distressing unbearable truths
Xavier PujolComposer Luca Francesconi clarified the purpose of his piece to journalist Tom Service (The Guardian 19/06/2014) for the premiere of his opera Quartett in London in 2014: Don’t dare to come if you can't accept that you need to analyse what you do and who you are. This piece is violent, it’s sex, it’s blasphemy, it’s the absence of mercy. The only two characters in the opera are the definition of cynical, they have made a pact that they don’t have to...
Adriana Lecouvreur at the Royal Opera House, Covent Garden
Sam SmithFrancesco Cilea is one of several Italian composers who might have been far better known today had they not lived at around the same time as Giacomo Puccini. As it is, their own considerable talents have tended to be eclipsed by those of the great composer to the extent that the only operas of Cilea’s that are performed with any regularity today are L’arlesiana and Adriana Lecouvreur. The latter was also the only one of the composer’s that was unequivocally acclaimed as a...
Rigoletto at the London Coliseum
Sam SmithBased on Victor Hugo’s play Le roi s’amuse, Giuseppe Verdi’s Rigoletto was a triumph when it premiered at La Fenice in Venice in 1851, and has remained one of the composer’s most frequently performed operas ever since. Its popularity is thoroughly deserved but might still be deemed interesting, given that it is a contender for the cruellest opera in the mainstream repertoire. While many works see the innocent suffer and die, there is usually a sense in which...
Il trovatore at the Royal Opera House, Covent Garden
Sam SmithGiuseppe Verdi’s Il trovatore of 1853 is based on Antonio García Gutiérrez’s play El trovador. Set in fifteenth century Spain it tells of the noble lady Leonora who is in love with the troubadour Manrico, but is herself loved by the Count di Luna, a nobleman in the service of the Prince of Aragon. The Count’s younger brother Garzia supposedly died in infancy when a gypsy was burnt at the stakefor allegedly bewitching him, and the charred body of a baby was...
Charles Gounod Romeo et Juliette at the Vienna State Opera
Helmut PitschFrench composer Charles Gounod was deeply religious and even he did not decide for a clerical career his strong belief dominated his life. His surviving opus consists of many sacred works but also 12 operas of which only two gained world-wide popularity, Faust and Roméo et Juliette. They are good examples of the French Opéra Lyrique, of which Charles Gounod is a leading representative. © Wiener Staatsoper GmbH / Michael Pöhn © Wiener Staatsoper...
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