Ted Huffman’s New Production of Eugene Onegin at the Royal Ballet and Opera, Covent Garden

Piotr Tchaïkovski’s Eugene Onegin, which premiered in Moscow in 1879, is based on Alexander Pushkin’s eponymous verse poem. The libretto, which was organised by the composer himself, closely follows certain passages in its source material and retains much of the poetry. Set in the 1820s in and around St Petersburg, it sees Tatyana, the daughter of landowner Madame Larina, fall in love with one Eugene Onegin. She is introduced to him when her sister Olga’s...

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...

Adriana Lecouvreur has returned to the Liceu, a title that is an authentic operone, with a great vocal score and an orchestration of high level and full of details; a very great drama, with four acts, ballet, three imposing characters and an intense dramatic conflict on a libretto with no special poetic relevance. A work with a very rare aesthetic situation given that, ascribed by the time of composition (it was premiered in 1902) to verismo, it is not about screams and stabbings...

La Cenerentola, even more than Il Barbiere di Siviglia, is the true encyclopaedia of Rossinian singing which, in a barbarically summarized form, could be defined as a singing that must be easy, fluid, light, but in no way inconsistent; a line full of high notes to which the interpreter should never arrive puffing, exhausted, strangled and at the limit of their strength after a risky climb, but should fly over it elegantly and lightly, taking advantage of the fact that Rossini never forces...

Antonio Vivaldi’s L'Olimpiade uses an Italian libretto by Pietro Metastasio that was originally written for Antonio Caldara’s eponymous 1733 opera. Vivaldi’s own version premiered at Venice’s Teatro Sant’Angelo on 17 February 1734, while the libretto would go on to be set to music by over fifty composers including Giovanni Battista Pergolesi in 1735. The action takes place in ancient times in Sicyon during an Olympic Games. Megacle plans to enter...

This Royal Opera double bill, performed by Jette Parker Artists, presents two one-act operas that were written at broadly opposite ends of the twentieth century, but received their premieres just eight years apart. Bohuslav Martinů composed Larmes de couteau, to a French libretto by Georges Ribemont-Dessaignes, in 1928, but it did not receive its premiere until 1969 at the State Theatre, Brno. The music demonstrates the composer’s then preoccupation with jazz, while the story...