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An Offbeat but Persuasive The Tales of Hoffmann at the Royal B...

Sam Smith

Jacques Offenbach’s The Tales of Hoffmann is based on three short stories by E. T. A. Hoffmann, with the French libretto having been written by Jules Barbier. It premiered at the Théâtre National de l’Opéra-Comique in Paris on 10 February 1881, but Offenbach never got to see it having died four months earlier. It had, however, been presented in an abridged form at the composer’s house, 8 Boulevard des Capucines, on 18 May 1879, and a version that...


Gran Teatre del Liceu: Pirozzi's Forza

Xavier Pujol

Anna Pirozzi's inexhaustible forza and accuracy, stylistic appropriateness and the beauty of her singing were the main reasons for the success of the premiere of La Forza del destino at Liceu. Nicola Luisotti's great musical direction and the magnificent singing of Brian Jagde and Artur Ruciński were also very important, but it was the Neapolitan soprano's performance that brought the audience to its feet at the end. With three highly demanding arias, a duet with the tenor...


Jonathan Miller’s Classic Production of Rigoletto Returns to t...

Sam Smith

Based on Victor Hugo’s play Le roi s’amuse, Giuseppe Verdi’s Rigoletto was a triumph when it premiered at La Fenice in Venice in 1851, and has remained one of the composer’s most frequently performed operas ever since. Its popularity is thoroughly deserved but might still be deemed interesting, given that it is a contender for the cruellest opera in the mainstream repertoire. While many works see the innocent suffer and die, there is usually a sense in which...


The Ultimate Fusion of Direction and Design in The Turn of the...

Sam Smith

The Turn of the Screw is a 1954 chamber opera by Benjamin Britten, with Myfanwy Piper’s libretto being based on Henry James’ eponymous novella of 1898. Told across a Prologue and sixteen scenes, with each of these being preceded by a variation on the twelve-note ‘Screw’ theme, it has been described as one of the most dramatically appealing of all English operas. Set in an English country house in Bly, originally in the middle of the nineteenth century, it...


Leonard Bernstein’s Trouble in Tahiti and A Quiet Place at the...

Sam Smith

Leonard Bernstein composed his one act opera Trouble in Tahiti in 1952, and on this occasion wrote the libretto himself. It concerns a married couple who on the surface have it made with their beautiful suburban home, but who find it difficult to live with each other and constantly bicker and fight. In 1983 he wrote A Quiet Place, which considers where the same family’s members are thirty years later. While performing both in the same evening would seem an obvious thing to...


First Revival of Tobias Kratzer’s Fidelio at the Royal Ballet ...

Sam Smith

Fidelio is the only opera that Beethoven ever wrote. Originally entitled Leonore, oder Der Triumph der ehelichen Liebe, with the libretto prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, it premiered at the Theater an der Wien on 20 November 1805. The following year Beethoven’s friend Stephan von Breuning rewrote the libretto to create a second version that shortened the opera from three acts to two. In 1814 Beethoven revised his opera yet again,...


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