Adriana Lecouvreur at the Liceu: Less Sincere is the Truth

Adriana Lecouvreur has returned to the Liceu, a title that is an authentic operone, with a great vocal score and an orchestration of high level and full of details; a very great drama, with four acts, ballet, three imposing characters and an intense dramatic conflict on a libretto with no special poetic relevance. A work with a very rare aesthetic situation given that, ascribed by the time of composition (it was premiered in 1902) to verismo, it is not about screams and stabbings...

La Cenerentola, even more than Il Barbiere di Siviglia, is the true encyclopaedia of Rossinian singing which, in a barbarically summarized form, could be defined as a singing that must be easy, fluid, light, but in no way inconsistent; a line full of high notes to which the interpreter should never arrive puffing, exhausted, strangled and at the limit of their strength after a risky climb, but should fly over it elegantly and lightly, taking advantage of the fact that Rossini never forces...

Antonio Vivaldi’s L'Olimpiade uses an Italian libretto by Pietro Metastasio that was originally written for Antonio Caldara’s eponymous 1733 opera. Vivaldi’s own version premiered at Venice’s Teatro Sant’Angelo on 17 February 1734, while the libretto would go on to be set to music by over fifty composers including Giovanni Battista Pergolesi in 1735. The action takes place in ancient times in Sicyon during an Olympic Games. Megacle plans to enter...

This Royal Opera double bill, performed by Jette Parker Artists, presents two one-act operas that were written at broadly opposite ends of the twentieth century, but received their premieres just eight years apart. Bohuslav Martinů composed Larmes de couteau, to a French libretto by Georges Ribemont-Dessaignes, in 1928, but it did not receive its premiere until 1969 at the State Theatre, Brno. The music demonstrates the composer’s then preoccupation with jazz, while the story...

Götterdämmerung is the fourth and final opera in Richard Wagner’s tetralogy Der Ring des Nibelungen, and premiered at the Bayreuth Festspielhaus on 17 August 1876 as part of the first performance of the entire work. The first three operas tell the story of the overthrow of the old world order of the gods, who rule through order, contract and treaty, by the mortals whose power derives from morality, reason and, above all, love. The moment that encapsulates the...

Based on Sir Walter Scott’s historical novel The Bride of Lammermoor, Donizetti’s Lucia di Lammermoor of 1835, with a libretto by Salvadore Cammarano, is set in Scotland. The Ashton and Ravenswood families have a long-standing hatred of each other with the former family now owning the estate that previously belonged to the latter. The Ashtons have themselves fallen on hard times, however, leading the Master of Lammermoor Enrico to insist that his sister Lucia marry the...