Columns linked to Royal Ballet and Opera

Tremendous Performances Create Magic in Aida at the Royal Ball...

Sam Smith

Set in Ancient Egypt, Giuseppe Verdi’s Aida of 1871, with a libretto by Antonio Ghislanzoni, centres on a love triangle between Radamès, Amneris and Aida. As a Princess of Egypt and the daughter of the King, Amneris believes that her feelings for the Chief of the Guard Radamès ought to be reciprocated, and is horrified when she discovers that he and Aida, an Ethiopian slave, are actually in love. When Aida’s father Amonasro is captured in battle, with the...


Corinne Winters and Karita Mattila Dazzle in Jenufa at the Roy...

Sam Smith

Claus Guth’s staging of Leoš Janáček’s Jenůfa was one of the first artistic casualties of COVID-19. It was set to appear at the Royal Opera House in March 2020, but it never did so because the pandemic led to the venue’s closure. It finally premiered in September 2021, and proved to be well worth the wait. If anything, this first revival of the production, by Oliver Platt, is even more accomplished than the initial outing, thanks to the strength of both...


Superb Cast and Conducting in Hansel and Gretel at the Royal B...

Sam Smith

Premiering in 1893, Engelbert Humperdinck’s Hansel and Gretel, with a libretto by his sister Adelheid Wette, is based on the eponymous fairytale that was recorded by the Brothers Grimm and published in 1812. It follows the Grimm version of the story reasonably closely, although there are a few notable differences including the fact that the Mother here is not intent on losing the children in the forest so that she and her husband might survive the hard times. She sends them there to...


An Offbeat but Persuasive The Tales of Hoffmann at the Royal B...

Sam Smith

Jacques Offenbach’s The Tales of Hoffmann is based on three short stories by E. T. A. Hoffmann, with the French libretto having been written by Jules Barbier. It premiered at the Théâtre National de l’Opéra-Comique in Paris on 10 February 1881, but Offenbach never got to see it having died four months earlier. It had, however, been presented in an abridged form at the composer’s house, 8 Boulevard des Capucines, on 18 May 1879, and a version that...


Leonard Bernstein’s Trouble in Tahiti and A Quiet Place at the...

Sam Smith

Leonard Bernstein composed his one act opera Trouble in Tahiti in 1952, and on this occasion wrote the libretto himself. It concerns a married couple who on the surface have it made with their beautiful suburban home, but who find it difficult to live with each other and constantly bicker and fight. In 1983 he wrote A Quiet Place, which considers where the same family’s members are thirty years later. While performing both in the same evening would seem an obvious thing to...


First Revival of Tobias Kratzer’s Fidelio at the Royal Ballet ...

Sam Smith

Fidelio is the only opera that Beethoven ever wrote. Originally entitled Leonore, oder Der Triumph der ehelichen Liebe, with the libretto prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, it premiered at the Theater an der Wien on 20 November 1805. The following year Beethoven’s friend Stephan von Breuning rewrote the libretto to create a second version that shortened the opera from three acts to two. In 1814 Beethoven revised his opera yet again,...