Handel’s oratorio Theodora is unusual among his compositions in that it has created more of a splash in the modern day than it ever did during his lifetime. It premiered at the Theatre Royal, Covent Garden on 16 March 1750 but ran for just three performances and was only revived once in 1755. Although the fact there had been an earthquake a week before the premiere meant that some of the composer’s usual patrons had fled the city, the real reason for the work’s...

This autumn English National Opera is exploring the Orpheus myth by presenting four operatic takes on it, including Harrison Birtwistle’s The Mask of Orpheus and Philip Glass’s Orphée. Each is being introduced in the order in which it was originally composed so that the season began with Gluck’s Orpheus and Eurydice, and now continues with Offenbach’s Orpheus in the Underworld, the first version of which premiered in 1858. It is good to see the Offenbach...

It is highly fitting that the Royal Opera House should present George Frideric Handel’s oratorio Solomon now since its predecessor on the site, the Theatre Royal, Covent Garden, hosted the first performance on 17 March 1749. At the time of its premiere the composer’s decades-long domination of the London opera scene had already come to an end, but his oratorios in English, which he had begun composing while still writing operas, were going from strength to strength. While...