It has often been said, in a variety of ways and with a range of argumentations, that Don Giovanni belongs to the limited group of ‘impossible operas’ or ‘trap operas’ in the sense that they are so big, perfect and powerful, and their deep subject – rather than their superficial plot – is so transcendental that, on one hand they are almost always bigger than their performers, and on the other hand they also generate such perfection expectations in the...

Amongst the performers that took part at the Götterdämmerung premiere at the Liceu the great highlight was the immense, anthological and unforgettable Brünnhilde by Iréne Theorin. Voice, power, dramatic engagement and understanding of the character put the Swedish soprano in a place to be considered one of the best Brünnhilde in the world, if not the best. Her final scene will remain in the memory of all for many years to come. The other...

Three artists who integrated the “excess” in their art or in their lives, together with the renaissance goldsmith and sculptor Benvenuto Cellini, providing the character and the subject, the composer Hector Berlioz bringing the music, and Terry Gilliam, film and stage director, on the staging are the parents of the spectacular and captivating production that is taking place at Liceu and which most probably will be the big event of the season. The vigorous start with a...