Unlike the ballet The Nutcracker, which is also currently on at Covent Garden, The Magic Flute is not strictly a Christmas piece. However, Mozart’s final opera, which premiered on 30 September 1791 just a few months before his death, is both enchanting and humorous, meaning it is perfect fare for the festive season. The work, which takes the form of a Singspiel that combines singing with spoken dialogue, sees the Queen of the Night persuade Prince Tamino to rescue her daughter Pamina...

Handel’s oratorio Theodora is unusual among his compositions in that it has created more of a splash in the modern day than it ever did during his lifetime. It premiered at the Theatre Royal, Covent Garden on 16 March 1750 but ran for just three performances and was only revived once in 1755. Although the fact there had been an earthquake a week before the premiere meant that some of the composer’s usual patrons had fled the city, the real reason for the work’s...

Originally set in Naples, Mozart’s Così fan tutte of 1790 sees the philosopher Don Alfonso challenge two soldiers, Ferrando and Guglielmo, to prove that their respective fiancées, the sisters Dorabella and Fiordiligi, are faithful. He is certain that no woman ever is, but the younger men are so convinced of their own lovers’ fidelity that they agree to a wager with him. They will pretend to be called away to war and then return disguised as Albanians to try...

Lessons in Love and Violence is the third opera on which composer George Benjamin and librettist Martin Crimp have collaborated. They first enjoyed success together in 2006 with Into the Little Hill while Written on Skin, which premiered at the 2012 Aix-en-Provence Festival, has gone on to become the most widely performed opera of any to be written in the twenty-first century. Their latest creation represents a co-production between no less than six major opera houses, and is...

Olga Mykytenko’s indisposition during the last rehearsals was the reason for Anett Fritsch’s debut at Liceu as Almaviva Countess. The young German soprano (1986) triumphed at Salzburg in 2015 with the same role and will soon be debuting at La Scala as Donna Elvira. Anett Fritsch possesses all the attributes for a great Countess: the most beautiful voice, good style, scenic presence and a sensual elegance that adds very interesting nuances to the character. Her “Dove...