Don Giovanni of 1787 is one of three operas that Mozart wrote with the librettist Lorenzo Da Ponte (the others being Le nozze di Figaro and Così fan tutte). It tells of the eponymous hero, or rather antihero, who effortlessly conquers thousands of women. Although in the process he makes many enemies, the ladies he has cheated have a habit of coming back for more or trying to save him, and in the end he is responsible for his own downfall. When the ghost of the Commendatore who he...

Giacomo Puccini’s 1896 creation La bohème, which is almost cinematographic in its length and proportions, is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple (Marcello and Musetta) have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and...

It has often been said, in a variety of ways and with a range of argumentations, that Don Giovanni belongs to the limited group of ‘impossible operas’ or ‘trap operas’ in the sense that they are so big, perfect and powerful, and their deep subject – rather than their superficial plot – is so transcendental that, on one hand they are almost always bigger than their performers, and on the other hand they also generate such perfection expectations in the...

Wide open space on stage as the opera starts. Once more young German director Amélie Niermayer uses the overture for narrating already parts of the story. The new production of the Bavarian State Opera is her first appearance here. The first encounter of Leonor, the mistress of King Alphonse, and monk Fernand is love at first sight with immediate intimate embracing. Stage designer Alexander Müller Elmau created a dark neutral environment with some moveable metal blocks which...

Don Pasquale by Donizetti. Lorenzo Regazzo, bass-baritone. Valentina Naforniţa, soprano, Juan Francisco Gatell, tenor. Marius Kwiecień, baritone. Orquestra Simfònica of Gran Teatre del Liceu. Choir of Gran Teatre del Liceu. Diego Matheuz, conductor. Laurent Pelly, stage director. Joint production of Gran Teatre del Liceu, The Santa Fe Opera and San Francisco Opera. Gran Teatre del Liceu. Barcelona, 16th June. *** Don Pasquale isn’t maybe a master piece, but...

Polish composer Karol Szymanowski’s Król Roger (King Roger) is by any measure an operatic rarity. Written between 1918 and 1924, and enjoying a handful of outings until 1949, it was entirely neglected for the following twenty-six years. It has experienced something of a renaissance since 1975, when conductor Charles Mackerras led a performance with the New Opera Company in London, but Kasper Holten’s production still marks the first time that it has ever had an outing at...