Columns linked to Josep Pons

Don Pasquale, the Opera That Never Fails

Xavier Pujol

It is difficult to achieve great success when singing or conducting Don Pasquale, but it is also difficult to fail. Don Pasquale, the last capolavoro of opera buffa, is a comfortable and friendly work which does not present major problems. Vocal requirements are important though perfectly acceptable for professional singers and the same goes for the orchestral part. The work is not one of those mythical titles in the repertoire that make or break a career. There are devotees of...


Wozzeck at the Liceu: The Dark Beauty of Horror

Xavier Pujol

In the 18th century there was pain and misery, but art generally displayed the beauty of the world. In the 19th century there was also pain and misery and art showed a part of it. In the 20th century there was a lot of pain and a lot of misery and very often art became unpleasant because the artist felt the need to show the world all the unnecessary pain, the avoidable misery, the great alienation and violence that govern human relationships. For many artists, failing to do this would have...


A Pelléas et Mélisande of Dark Beauty at Liceu

Xavier Pujol

Achieving perfection in opera, the most complex form of artistic expression that Western culture has ever created, is not easy, but when it is achieved, the result is magical. The Pelléas et Mélisande currently on stage at Liceu does not reach perfection but it is very, very close to it and it is more than likely that it will become the great show of the season on an artistic level and will remain for many years in the theatre’s memory. Pelléas et...


War Requiem: War as (only) pain and suffering

Xavier Pujol

In 1942 composer Benjamin Britten declared himself a conscientious objector in front of a tribunal. Twenty years later, in 1962, his War Requiem was premiered as part of the commemorations of the inauguration of Coventry cathedral’s reconstruction, which had been destroyed during the German air raids of WWII. The composer, who considered this piece as one of his most important creations, made a requiem without epic character, without exaltation of the heroes fallen in the honour...


Ariadne auf Naxos at Liceu: Josep Pons’ Good Strauss

Xavier Pujol

Liceu opened its 175th season with Strauss’ Ariadne auf Naxos, an opera that has rarely been seen at the theatre and which had not been brought on stage for almost 20 years. Written for a moderately sized orchestra and with a transparent yet dense orchestration of refined sonorities, Ariadne is a difficult opera to resolve instrumentally. Maestro Josep Pons, the theatre’s principal director chose to face the challenge of conducting this Ariadne and the obtained results were...


Heroic Lessons In Love and Violence at Liceu

Xavier Pujol

Composer George Benjamin affirmed that the performances in Barcelona of Lessons in Love and Violence were a moving and “heroic” act. This was during the press conference for the presentation of the artists which he attended via video call. It was certainly the case. With half of Europe having their theatres closed, facing the Spanish première of such a difficult piece was quite a challenge, which Liceu undeniable overcame. It is worth remembering that Liceu had...