It has often been said, in a variety of ways and with a range of argumentations, that Don Giovanni belongs to the limited group of ‘impossible operas’ or ‘trap operas’ in the sense that they are so big, perfect and powerful, and their deep subject – rather than their superficial plot – is so transcendental that, on one hand they are almost always bigger than their performers, and on the other hand they also generate such perfection expectations in the...

Staging Elektra at Aix-en-Provence’s Festival in summer 2013 was Patrice Chéreau’s last work, since the film, theatre and opera director died in October of the same year. Having visited Milano, New York, Berlin and Helsinki, this production has finally arrived to Barcelona, with almost the same vocal cast that premiered it three years ago, who worked under direct orders from Chéreau himself. They are meeting again in Barcelona, for the last time it looks like,...

Olga Mykytenko’s indisposition during the last rehearsals was the reason for Anett Fritsch’s debut at Liceu as Almaviva Countess. The young German soprano (1986) triumphed at Salzburg in 2015 with the same role and will soon be debuting at La Scala as Donna Elvira. Anett Fritsch possesses all the attributes for a great Countess: the most beautiful voice, good style, scenic presence and a sensual elegance that adds very interesting nuances to the character. Her “Dove...