Set in Ancient Egypt, Giuseppe Verdi’s Aida of 1871, with a libretto by Antonio Ghislanzoni, centres on a love triangle between Radamès, Amneris and Aida. As a Princess of Egypt and the daughter of the King, Amneris believes that her feelings for the Chief of the Guard Radamès ought to be reciprocated, and is horrified when she discovers that he and Aida, an Ethiopian slave, are actually in love. When Aida’s father Amonasro is captured in battle, with the...

Benedikt von Peter, currently head of at the Theater Bremen and designated head of Lucerne theater from 2016 onwards, has gained reputation for sophisticated deeply analytical directions of operas, opening new views on characters, their relations and plots. Focussing on libretto and strongly on the musical composition, he gains new aspects which he consequently transfers into his realisation. Some key elements of his view on Aida have been published before the opening evening. He...

Munich and Jonas Kaufmann have been closely linked over the last years. He has been born here and the Munich State Opera is engaging him intensively. Many role debuts of the star tenor have taken place here. That is the case for the current production of Giuseppe Verdi's Aida too. After a first appearence in Rome in concert after a recording of the opera, it is now his first Radames on stage in a production from 2009, directed by Christoph Nel and designed by Jens Killian. They have...