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Sam Smith

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Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .206

Least Like The Other, Searching for Rosemary Kennedy is Quite ...

Sam Smith

After bringing Vivaldi’s Bajazet to the Royal Opera House last year, Irish National Opera returns with Least Like The Other, Searching for Rosemary Kennedy. This opera by composer Brian Irvine and director Netia Jones, which premiered at the Galway International Arts Festival in 2019, focuses on the life of Rosemary Kennedy, younger sister of John F. Kennedy and eldest daughter of Joseph P. Kennedy and Rose Fitzgerald Kennedy. Perceived by her ambitious family as...


Fresh Feeling Cast Brings a Lightness of Touch to The Magic Fl...

Sam Smith

Unlike the ballet The Nutcracker, which is also currently on at Covent Garden, The Magic Flute is not strictly a Christmas piece. However, Mozart’s final opera, which premiered on 30 September 1791 just a few months before his death, is both enchanting and humorous, meaning it is perfect fare for the festive season. The work, which takes the form of a Singspiel that combines singing with spoken dialogue, sees the Queen of the Night persuade Prince Tamino to rescue her daughter Pamina...


A Superb Cast Brings New Insights to Tosca at the Royal Opera ...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...


English National Opera’s It’s a Wonderful Life Brings a Touch ...

Sam Smith

Frank Capra’s It’s a Wonderful Life of 1946, itself based on Philip Van Doren Stern’s short story The Greatest Gift (self-published in 1943), is one of the all time classic Christmas films. It sees George Bailey, played by James Stewart, grow up in the first half of the twentieth century in an American town named Bedford Falls. George has ambitions to go to college and see the world, but at every point in his life he is held back by circumstances and a sense of...


Poignant and Perfect Production of The Rape of Lucretia at the...

Sam Smith

Benjamin Britten’s The Rape of Lucretia is the first work to which he applied his term ‘chamber opera’. With an English libretto by Ronald Duncan that is based on André Obey’s play Le Viol de Lucrèce, the piece premiered at Glyndebourne Festival Opera in 1946 and was seen there again in 2015 following the development of a touring version in 2013. It is set towards the end of the sixth century B.C. during the reign of the seventh and final King of...


English National Opera Presents a New Production of The Yeomen...

Sam Smith

The Yeomen of the Guard of 1888 is one of Gilbert and Sullivan’s richest and darkest operettas. Set in the Tower of London in the sixteenth century, it sees one Colonel Fairfax face execution. The charge of sorcery, however, was the doing of his uncle who stands to inherit his estate if he dies unmarried. Fairfax plans to thwart his relative by marrying in the final hour of his life, and asks his friend Sir Richard Cholmondeley to find a suitable bride who will receive a large...