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Sam Smith

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Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .205

First Ever Staging of Gerald Barry’s Alice’s Adventures Under ...

Sam Smith

Gerald Barry has written six operas, with his first The Intelligence Park of 1990 appearing in the Royal Opera House’s Linbury Studio last autumn. Now, his Alice’s Adventures Under Ground of 2016 comes to Covent Garden’s larger venue for its first ever staged performances. The opera only lasts an hour meaning there are two performances on most of the days it is appearing, with Cast A taking on one of them and Cast B the other. Barry has opted for the original title of...


Second Revival of Calixto Bieito’s Carmen at the London Coliseum

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has the sweet, loving...


A Thrilling Siegfried at the Royal Festival Hall, London

Sam Smith

In January and February 2021 the London Philharmonic Orchestra, under the baton of Vladimir Jurowski, will be presenting Richard Wagner’s tetralogy Der Ring des Nibelungen twice at the Royal Festival Hall. It began performing the operas individually two years ago, with Das Rheingold being presented in 2018, Die Walküre last year and Siegfried appearing now. This is the opera that moves on from the failed attempts of the chief god Wotan to retain control of the world for...


The Little Match Girl ‘Retold’ in Aisha and Abhaya at the Roya...

Sam Smith

On the Royal Opera House’s website Aisha and Abhaya is listed under both ‘opera and music’ and ‘ballet and dance’ as if to suggest it is a hybrid piece. While, however, it undoubtedly consists of music, dance and film, it is hard to see how it qualifies as an opera since across the hour-long piece only a small amount of (non-operatic) singing features in Ori Lichtik and Gaika’s specially created soundtrack. Nevertheless, this point is made solely for...


Second Revival of Richard Jones’s La bohème at the Royal Opera...

Sam Smith

Giacomo Puccini’s 1896 creation La bohème, which is almost cinematographic in its length and proportions, is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple (Marcello and Musetta) have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and...


Slow Pace but Strong Performances in La traviata at the Royal ...

Sam Smith

Giuseppe Verdi’s La traviata of 1853 is one of the most frequently performed operas in the world today. Based on Alexandre Dumas, fils’s play La Dame aux camélias, it tells of Violetta Valéry who is a famed Parisian courtesan. Beneath her apparently carefree exterior, however, she is suffering from tuberculosis and her world is shaken when she meets Alfredo with whom she falls in love. They run away together and live off the sale of her goods, but one day...