The Mikado, one of Gilbert and Sullivan’s most popular works and the subject of Mike Leigh’s film Topsy-Turvy, is a farcical operetta that sees all of the residents of the town of Titipu trying to escape execution, including the executioner! First performed in 1885, its nominal Japanese setting is a thin veil for its real commentary on English values, hierarchies and arcane laws and conventions. This being so, director Jonathan Miller decided to do away with any notion of Japan...

Die Zauberflöte is Mozart’s final opera, and takes the form of a Singspiel that combines singing with spoken dialogue. In it, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro, who she claims is evil. As Tamino goes about his quest, however, and falls in love with Pamina, he learns that things are the other way around. The Queen of the Night represents the forces of darkness, while Sarastro’s...

This autumn English National Opera is exploring the Orpheus myth by presenting four operatic takes on it. Now, following Gluck’s Orpheus and Eurydice and Offenbach’s Orpheus in the Underworld, both of which still have performances that can be seen, comes the third addition to the mix, Harrison Birtwistle’s The Mask of Orpheus. Without a doubt there is no other opera quite like it with the orchestra containing no strings, the score including electronic music (which was...

Gaetano Donizetti’s 64th opera Don Pasquale of 1843 represents both the zenith and the end of opera buffa because it stands as one of the finest examples of the genre, and yet there are practically none written after that date that are still in the standard repertoire. Set in Rome, it sees the ageing Don Pasquale disinherit his nephew Ernesto, who loves the young but poor widow Norina, for refusing the woman he had found for him. Even Don Pasquale’s own doctor Malatesta thinks...

This autumn English National Opera is exploring the Orpheus myth by presenting four operatic takes on it, including Harrison Birtwistle’s The Mask of Orpheus and Philip Glass’s Orphée. Each is being introduced in the order in which it was originally composed so that the season began with Gluck’s Orpheus and Eurydice, and now continues with Offenbach’s Orpheus in the Underworld, the first version of which premiered in 1858. It is good to see the Offenbach...

Based on the legend of Orpheus, Christoph Willibald Gluck’s Orpheus and Eurydice, which tells of the former’s attempt to rescue the latter from the Underworld after she dies, is a seminal work in the evolution of opera. With its focus on an underground rescue mission in which the hero must conceal his true feelings, it was to be a major influence on German opera and specifically the plots of Mozart’s Die Zauberflöte, Beethoven’s Fidelio and Wagner’s Das...