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Sam Smith
Smith
Sam
Londres
United Kingdom
Chroniqueur depuis le 11 March 2015
Toutes ses chroniques .195
Getting Under the Skin of The Gershwins’ Porgy and Bess at the...
Sam SmithPorgy and Bess was written by George Gershwin, with libretto by DuBose Heyward and Ira Gershwin, in 1935. It was based on DuBose and Dorothy Heyward’s play Porgy, which was itself adapted from DuBose’s eponymous novel of 1925. Set in South Carolina in the 1920s, it explores the lives of the African American residents of Catfish Row, a fictitious place on the waterfront of Charleston. Here, Porgy is a disabled beggar while Bess is the lover of Crown, a tough stevedore. Crown...
Sublime Solomon at the Royal Opera House, Covent Garden
Sam SmithIt is highly fitting that the Royal Opera House should present George Frideric Handel’s oratorio Solomon now since its predecessor on the site, the Theatre Royal, Covent Garden, hosted the first performance on 17 March 1749. At the time of its premiere the composer’s decades-long domination of the London opera scene had already come to an end, but his oratorios in English, which he had begun composing while still writing operas, were going from strength to strength. While...
Radical but Flawed Presentation of Salome at the London Coliseum
Sam SmithDespite only being mentioned briefly in the New Testament, the character of Salome has certainly caught the imagination as she has pervaded art, literature and music over the centuries. In the Gospels of Matthew and Mark she is described as a girl who pleased King Herod so much at his birthday feast with her dancing that he promised her anything she desired. After consulting Herodias, the husband of Herod and her mother, she asked for the head of John the Baptist on a plate, with Herodias...
Sir Bryn Terfel Stars as Falstaff at the Royal Opera House, Co...
Sam SmithThere are certain operas such as Purcell’s Dido and Aeneas and Handel’s Radamisto where one will forgive the odd piece of clunky or prosaic direction if the musical credentials underpinning the evening are strong. There are other pieces, however, such as Ravel’s L’heure espagnole and Shostakovich’s The Nose where, if the staging is not slick from start to finish, the evening is almost wholly undermined. There is actually something unfair about this, because it...
First Rate Revival of Don Giovanni at the Royal Opera House, C...
Sam SmithDon Giovanni of 1787 is one of three operas that Mozart wrote with the librettist Lorenzo Da Ponte (the others being Le nozze di Figaro and Così fan tutte). It tells of the eponymous hero, or rather antihero, who effortlessly conquers thousands of women. Although in the process he makes many enemies, the ladies he has cheated have a habit of coming back for more or trying to save him, and in the end he is responsible for his own downfall. When the ghost of the Commendatore who he...
First Revival of Richard Jones’ La bohème at the Royal Opera H...
Sam SmithGiacomo Puccini’s 1896 creation La bohème is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple (Marcello and Musetta) have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and Mimì, on the other hand, enjoy an apparently perfect love, but it...