Based on a play by Jean Racine, Mitridate, re di Ponto is an early Mozart opera that premiered in December 1770. The musicologist Daniel E. Freeman recently demonstrated that Mozart incorporated some musical motives from Josef Mysliveček’s La Nitteti, which was first performed in April 1770 just a month after the young Amadeus first met the older composer, into his own operatic setting. Nevertheless, this hardly detracts from the achievement of a fourteen-year old composing such an...

Like the Shakespeare play upon which it is based, Giuseppe Verdi’s penultimate opera Otello of 1887 is the story of a general in the Venetian military whose skills in managing political and personal affairs do not match those he has demonstrated in fighting. When his ‘friend’ Iago feels Otello has sidelined him for promotion, he lays a trap to make Otello believe his wife Desdemona has been unfaithful, and the general falls whole-heartedly for the deception with...

L’elisir d’amore of 1832 is one of Gaetano Donizetti’s most popular and light-hearted works. Set in a village in the Basque Country at the end of the eighteenth century it sees the humble Nemorino love the landowner Adina, even as she tells him she is fickle and that he should forget her. When, however, she reads the legend of Tristan and Isolde, Nemorino is inspired to ask travelling quack doctor Dulcamara if he has any of the potion that enabled Tristan to win his love....

Giuseppe Verdi’s Don Carlo, which premiered in 1867 in Paris as Don Carlos, exists in several versions, and, depending on which is performed, is either his longest or one of his longest operas. Although the first performance was in French, Nicholas Hytner’s 2008 production for the Royal Opera House employs the Modena version of 1886, which is one of several to utilise an Italian libretto. Don Carlo ; © ROH, Catherine Ashmore Don Carlo ; © ROH, Catherine...

Thomas Adès’ The Exterminating Angel, which premiered at the Salzburg Festival in 2016, is based on Luis Buñuel’s classic 1962 Surrealist film. In it a group of bourgeois guests dine at the house of Edmundo, Marqués de Nobile, and his wife Lucia, only to discover that at the end of the evening that they are unable to leave the house. An undefined force is holding them in one room, and as the days wear on the people stuck there grow increasingly bestial as...

George Frideric Handel’s twenty year long domination of London opera began in 1720 with Radamisto, meaning that Partenope, which appeared in 1730, was at the midpoint of this golden period. The opera was extremely well received on its premiere, but it is about as far removed from opera seria as any of the composer’s works, and presents a challenge to any director who wishes to make sense of such a far-fetched story. English National Opera, however, has long been known as...