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Sam Smith

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Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .195

Admire rather than Love From the House of the Dead at the Roya...

Sam Smith

From the House of the Dead is Czech composer Leoš Janáček’s final opera, having been left virtually complete when he died in 1928 and premiering two years later. It is based on Dostoyevsky’s eponymous novel of 1862, which describes life, and the experiences of several convicts, in a Siberian prison camp. The piece has never before appeared at the Royal Opera House, and in Krzysztof Warlikowski’s new staging, which represents a co-production...


Warm your Winter with A Midsummer Night’s Dream at the London ...

Sam Smith

A Midsummer Night’s Dream of 1960 is Benjamin Britten’s operatic take on Shakespeare’s eponymous play. It follows the original story reasonably closely, although it focuses on certain aspects of the plot and downgrades the prominence of others. Robert Carsen’s classic production for English National Opera premiered in 1995. A new version by Christopher Alden was actually introduced in 2011, but Carsen’s was so impossible to keep down that it now returns to...


The Truth about Satyagraha at the London Coliseum

Sam Smith

Philip Glass is recognised as one of the leading figures in minimalism today. He has written over twenty-five operas, and three of these form a trilogy that focus on pivotal figures in the fields of science, politics and religion respectively. Einstein on the Beach premiered in 1976 before the triptych was completed eight years later with Akhnaten. In between these came Satyagraha in 1980, which explores the early active life of Mahatma Gandhi. It focuses on political struggle as it...


An Innovative and Extraordinary Carmen at the Royal Opera Hou...

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has decided to marry...


The Ancient Becomes Timeless in The Return of Ulysses at the R...

Sam Smith

The story in Claudio Monteverdi’s Il ritorno d’Ulisse in patria, performed here in English as The Return of Ulysses, of 1639 is taken from the second half of Homer’s Odyssey. In it Ulysses, King of Ithaca, finally returns to his kingdom following ten years fighting in The Trojan Wars and a further decade lost at sea. His wife Penelope has remained faithful throughout his long absence, in spite of loathsome suitors queuing up to persuade her to forget him and embrace...


A Gory but Psychologically Intense Salome at the Royal Opera H...

Sam Smith

Despite only being mentioned briefly in the New Testament, the character of Salome has certainly caught the imagination as she has pervaded art, literature and music over the centuries. In the Gospels of Matthew and Mark she is described as a girl who pleased King Herod so much at his birthday feast with her dancing that he promised her anything she desired. After consulting Herodias, the husband of Herod and her mother, she asked for the head of John the Baptist on a plate, with Herodias...