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Sam Smith
Smith
Sam
Londres
United Kingdom
Chroniqueur depuis le 11 March 2015
Toutes ses chroniques .205
The Truth about Satyagraha at the London Coliseum
Sam SmithPhilip Glass is recognised as one of the leading figures in minimalism today. He has written over twenty-five operas, and three of these form a trilogy that focus on pivotal figures in the fields of science, politics and religion respectively. Einstein on the Beach premiered in 1976 before the triptych was completed eight years later with Akhnaten. In between these came Satyagraha in 1980, which explores the early active life of Mahatma Gandhi. It focuses on political struggle as it...
An Innovative and Extraordinary Carmen at the Royal Opera Hou...
Sam SmithBased on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has decided to marry...
The Ancient Becomes Timeless in The Return of Ulysses at the R...
Sam SmithThe story in Claudio Monteverdi’s Il ritorno d’Ulisse in patria, performed here in English as The Return of Ulysses, of 1639 is taken from the second half of Homer’s Odyssey. In it Ulysses, King of Ithaca, finally returns to his kingdom following ten years fighting in The Trojan Wars and a further decade lost at sea. His wife Penelope has remained faithful throughout his long absence, in spite of loathsome suitors queuing up to persuade her to forget him and embrace...
A Gory but Psychologically Intense Salome at the Royal Opera H...
Sam SmithDespite only being mentioned briefly in the New Testament, the character of Salome has certainly caught the imagination as she has pervaded art, literature and music over the centuries. In the Gospels of Matthew and Mark she is described as a girl who pleased King Herod so much at his birthday feast with her dancing that he promised her anything she desired. After consulting Herodias, the husband of Herod and her mother, she asked for the head of John the Baptist on a plate, with Herodias...
Double the Thrill in this Double Bill: Cavalleria rusticana an...
Sam SmithDamiano Michieletto’s take on Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci, which represents a co-production between Opera Australia, La Monnaie in Brussels, The Göteborg Operaand the Royal Opera House, was well received when it first appeared at the latter venue two years ago. With this first revival from Rodula Gaitanou proving just as strong, and hence confirming that its initial success was no fluke, it is reasonable to acclaim the...
Semiramide at the Royal Opera House, London
Sam SmithSemiramide is arguably the greatest Rossini opera not to be regularly performed today. This does not mean, however, that it has been entirely neglected, and it was recently recorded, and performed at the BBC Proms, by Opera Rara on period instruments. Musicologist Rodolfo Celletti has suggested that ‘Semiramide was the last opera of the great Baroque tradition: the most beautiful, the most imaginative, possibly the most complete; but also, irremediably the last’. This is...