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Sam Smith

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Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .205

World creation: Marnie at the London Coliseum

Sam Smith

Marnie is best known today as a 1964 Hitchcock film, but it actually started life as a novel written by Winston Graham in 1961. It tells of a woman who has been damaged since childhood after believing that she killed her baby brother, because that is what her mother told her. As an adult she has taken on a series of jobs, each time embedding herself in the organisation before robbing it and moving on to another using yet another pseudonym. Her philosophy is that if God is capable of...


Lucia di Lammermoor at the Royal Opera House, London

Sam Smith

Based on Sir Walter Scott’s historical novel The Bride of Lammermoor, Donizetti’s Lucia di Lammermoor of 1835 is set in Scotland. The Ashton and Ravenswood families have a long-standing hatred of each other with the former family now owning the estate that previously belonged to the latter. The Ashtons have themselves fallen on hard times, however, leading the Master of Lammermoor Enrico to insist that his sister Lucia marry the wealthy Arturo Bucklaw to restore the...


Les Vêpres siciliennes at the Royal Opera House, London

Sam Smith

Giuseppe Verdi’s Les Vêpres siciliennes of 1855 tells of the French occupation of Sicily in the thirteenth century. Prior to the opera’s opening the Sicilian patriot Jean Procida was exiled and the French conqueror Guy de Montfort, who became the island’s governor, violated a Sicilian woman who subsequently had a son called Henri. At times the Sicilians are a little too ready to accept their subservient position, but three individuals are determined to set the...


The Barber of Seville at the London Coliseum

Sam Smith

The three plays in Pierre Beaumarchais’ Figaro trilogy are The Barber of Seville (1775), The Marriage of Figaro (1784) and The Guilty Mother (1792). In 1786 Mozart based his opera on the second of these, and thirty years later Rossini utilised the first, which involves the same characters of Figaro, Count Almaviva, Rosina, Doctor Bartolo and Don Basilio, for his own comic masterpiece. Like Donizetti’s Don Pasquale and Richard Strauss’ Der Rosenkavalier that...


Aida at the London Coliseum

Sam Smith

Set in Ancient Egypt, Giuseppe Verdi’s Aida of 1871 centres on a love triangle between Radamès, Amneris and Aida. As a Princess of Egypt and the daughter of the King, Amneris believes that her feelings for the Chief of the Guard Radamès ought to be reciprocated, and is horrified when she discovers that he and Aida, an Ethiopian slave, are actually in love. When Aida’s father Amonasros is captured in battle, with the Egyptians not realising that he is the King...


La bohème at the Royal Opera House, Covent Garden

Sam Smith

Giacomo Puccini’s 1896 creation La bohème, which is almost cinematographic in its length and proportions, is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple (Marcello and Musetta) have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and...