Schedule
Glossary
show the glossarySearch
Connect
-
Connect to your account
-
Create your account
Community
Chronique à la une
Filter
All columns
Luigi Nono's Prometeo at the Luzern Festival
Helmut PitschLuigi Nono is one of the most prominent composers of the 20th century. He was born in Venice into a wealthy family and studied music and law in Padua. For further education he moved to Germany, where he became friend with Hans Werner Henze, Karl Heinz Stockhausen and Pierre Boulez, all of them musical leaders of the Avant-garde. Notable for his strong political left wing orientation, his musical heritage and influence are enormous. He experimented with new sound possibilities and involved...
Sonya Yoncheva is Norma at the Royal Opera House, Covent Garden
Sam SmithIn 1898 Giuseppe Verdi described Vincenzo Bellini as being ‘rich in feeling and in an individual melancholy of his own’. The associated musical traits can be found in abundance in Norma of 1831, with academic David Kimbell suggesting that the composer’s most astonishing achievement in the opera was ‘amid all the more obvious excitements of musical Romanticism, to have asserted his belief that the true magic of opera depended on a kind of incantation in which...
Stefan Vinke and Petra Lang in Lohengrin at the Wiener Staatsoper
Helmut Pitsch'There is happiness' and two burning hearts in a soft landscape as a big painting decorates the transparent curtain, as part of this new interpretation of the opera by young Richard Wagner. This reference to the libretto by the master is designed by Director Andreas Homoki who sets the legend of this divine hero and his swan in a very traditional Bavarian environment. The Munich Hofbräuhaus seems to be the model of the stage design and so does the traditional Bavarian costums...
Faust’s first time in Salzburg
Raffaele MellaceSurprisingly, a major title of the French operatic tradition such as Gounod’s Faust had never been staged before at the Salzburg Festival. It happened this year in a production signed by Austrian director Reinhard von der Thannen, responsible for sets and costumes as well. However solid the cast was, the main focus of the production was certainly von der Thannen’s staging – and with good reason (one could actually tell right from the programme notes, entrusted to...
Thaïs at the Salzburg Festival 2016
Helmut PitschJules Massenet is one of the great representative of the French Grande Opera. He has left a remarkable heritage of operas but only few have made it continously into the calendar of the opera theaters. Thaïs premiered in 1894 as one of the rarely staged masterpieces which makes it from time to time into concert halls in concert version. The composition was originally arranged for the Opera comique in Paris but was first shown in the Opera Garnier, where it had been performed the most...
Gounod's Faust at the Salzburg Festival 2016
Helmut PitschRien - "Nothing" thrones over the bright white stage. "We start from nothing and return to nothing" might be one theme of this contradictory direction of Reinhard von der Thannen. He is responsible for the direction, the costumes and the stage design of this first presentation of this opera in Salzburg. He has studied and worked with Hans Neuenfels, originally as stage and costume designer, and you can feel the influence and some memories of the controversial...